Street art in the <i>Insta</i> -city: Mobile audiences and urban placemaking

Street art murals (along with festivals and art districts) have proliferated in the past decade, becoming the “face” of creative cities through post-industrial urban regeneration strategies, and these efforts have been connected to gentrification in cities around the world. In this article, I consider how mobile audiences interact with street art through Instagram and propose that the “ Insta -city”—a coproduction involving art, photography, location, the Instagram platform, and its users—is a site for “digital placemaking,” where new claims over neighborhood identities are made and contested. The article synthesizes the literature on mobile audiences and the city, street art as a tool for urban renewal, and Instagram as a culturally dominant visual and geo-coded social medium to create the Insta -city as an analytical lens for reimagining the active audience in the context of urban communication.

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Publication Details

Journal
International Communication Gazette
Published
2025-02-01
DOI
https://doi.org/10.1177/17480485241261571
Citations
2
Primary Topic
Public Spaces through Art
Type
article
Field-Weighted Citation Impact
12.35
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article

Street art in the Insta -city: Mobile audiences and urban placemaking

Erika Polson
2 citations
International Communication Gazette
Public Spaces through Art
12.35
article

Street art in the Insta -city: Mobile audiences and urban placemaking

Erika Polson
article en
2 citations

Abstract

Street art murals (along with festivals and art districts) have proliferated in the past decade, becoming the “face” of creative cities through post-industrial urban regeneration strategies, and these efforts have been connected to gentrification in cities around the world. In this article, I consider how mobile audiences interact with street art through Instagram and propose that the “ Insta -city”—a coproduction involving art, photography, location, the Instagram platform, and its users—is a site for “digital placemaking,” where new claims over neighborhood identities are made and contested. The article synthesizes the literature on mobile audiences and the city, street art as a tool for urban renewal, and Instagram as a culturally dominant visual and geo-coded social medium to create the Insta -city as an analytical lens for reimagining the active audience in the context of urban communication.

International Communication GazetteVol. 87(1)
University of Denver (US)
Openalex Percentile: Top 3%
Public Spaces through Art
12.35
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