Love at first touch: A collaborative approach to tactile art explorations

Some of the current art haptic practices offered to the blind use touch as a substitute for sight, contributing to perpetuate an ocularcentric and thus ableist paradigm in the arts. This article draws from the need to elevate the sense of touch to a genuine source of knowledge and eradicate the conception of being a complement of sight. In particular, the aim is to show how sculpture tactile encounters led by artist Lucia Beijlsmit can enrich the artistic experience of sighted and non-sighted participants and reflect upon the functions of touch in art appreciation. This shared exploratory exercise did not actually feel as ‘access’ but rather as a form of close and personal communication. This is why this project entails a notion of access not conceived as a service provided to fix a problem, but as a form of human connection.

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Publication Details

Journal
Journal of Arts & Communities
Published
2024-10-01
DOI
https://doi.org/10.1386/jaac_00058_1
Citations
3
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
1.03
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article

Love at first touch: A collaborative approach to tactile art explorations

María José García Vizcaíno
3 citations
Journal of Arts & Communities
Aesthetic Perception and Analysis
1.03
article

Love at first touch: A collaborative approach to tactile art explorations

María José García Vizcaíno
article en
3 citations

Abstract

Some of the current art haptic practices offered to the blind use touch as a substitute for sight, contributing to perpetuate an ocularcentric and thus ableist paradigm in the arts. This article draws from the need to elevate the sense of touch to a genuine source of knowledge and eradicate the conception of being a complement of sight. In particular, the aim is to show how sculpture tactile encounters led by artist Lucia Beijlsmit can enrich the artistic experience of sighted and non-sighted participants and reflect upon the functions of touch in art appreciation. This shared exploratory exercise did not actually feel as ‘access’ but rather as a form of close and personal communication. This is why this project entails a notion of access not conceived as a service provided to fix a problem, but as a form of human connection.

Journal of Arts & CommunitiesVol. 15(2)
Montclair State University (US)
Openalex Percentile: Top 23%
Aesthetic Perception and Analysis
1.03
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