‘Stories of Access’: Tangled Art + Disability and cultural accessibility in action

In this article we engage a transdisciplinary perspective to analyse cultural accessibility practices, which are access practices developed by disabled people for the cultural field. Cultural accessibility seeks to disrupt normative culture by creating flexible practices that centre disabled people and disability community. Drawing on research with Tangled Art + Disability, a disability art gallery in Toronto, Canada, we explore the iterative and collaborative processes through which the organization has developed cultural accessibility practices. We narrate the provenance of these practices through ‘Stories of Access’ that illustrate how the context of the gallery – including artists, staff, audiences, resources, technologies, materials, spaces, policies and access commitments – influenced their development. Throughout, we demonstrate how thinking about practices of cultural accessibility as themselves transdisciplinary allows us to track more nuanced origin stories as embedded in institutional history, crip wisdom and practices and organizational specificity and resist the ways that access is taken up as a non-relational practice.

Authors

Institutions

Publication Details

Journal
Journal of Arts & Communities
Published
2024-10-01
DOI
https://doi.org/10.1386/jaac_00069_1
Primary Topic
Disability Rights and Representation
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

‘Stories of Access’: Tangled Art + Disability and cultural accessibility in action

Megan Johnson, Eliza Chandler
Journal of Arts & Communities
Disability Rights and Representation
article

‘Stories of Access’: Tangled Art + Disability and cultural accessibility in action

Megan Johnson, Eliza Chandler
article en

Abstract

In this article we engage a transdisciplinary perspective to analyse cultural accessibility practices, which are access practices developed by disabled people for the cultural field. Cultural accessibility seeks to disrupt normative culture by creating flexible practices that centre disabled people and disability community. Drawing on research with Tangled Art + Disability, a disability art gallery in Toronto, Canada, we explore the iterative and collaborative processes through which the organization has developed cultural accessibility practices. We narrate the provenance of these practices through ‘Stories of Access’ that illustrate how the context of the gallery – including artists, staff, audiences, resources, technologies, materials, spaces, policies and access commitments – influenced their development. Throughout, we demonstrate how thinking about practices of cultural accessibility as themselves transdisciplinary allows us to track more nuanced origin stories as embedded in institutional history, crip wisdom and practices and organizational specificity and resist the ways that access is taken up as a non-relational practice.

Journal of Arts & CommunitiesVol. 15(2)
Dalhousie University (CA), Toronto Metropolitan University (CA)
Openalex Percentile: Top 68%
Disability Rights and Representation
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.