¡No Pasaran! The Image of Spain and the Image of the Enemy in a Soviet Information Photo Album of 1937

The paths of Russia and Spain crossed several times in the 20 th century. The Spanish Civil War of 1936–1939 has always been and remains a topic that attracts the attention of experts and influences the development of a multifaceted cultural dialogue between the two countries. The events of those years contributed greatly to shaping the image of Spain in the Soviet Union. In recent decades, a number of works have been published, exploring not only the image of Spain in the USSR in the 1930s, but also the image of the enemy, which emerged as the first direct military confrontation with fascist regimes took place. An important topic analyzed in these works is the tools of visual securitization, which involves the formation of the enemy image by visual means. This paper is based on the materials included in the photo album ¡No pasaran! They will not pass! published by the Central Committee of the Komsomol in 1937. This source traditionally falls into the category of photo journalism. It is a type of source that is not examined much in literature, yet it is interesting as it combines visual images and verbal characteristics that reinforce stereotypical perceptions and key mythologems relevant to that period. The material illustrates how the image of Spain took shape in the USSR during the Civil War and how the image of the enemy emerged before World War II. The album was published as part of a pro-Spain campaign in the Soviet Union, when the Republican faction was still believed to win soon. The verbal content of the album is stronger than the images in terms of impact, although it is usually the visual content that is more impactful. Unlike poster art with its potential for visual securitization, a photo album, which combines extensive textual material with low-quality images, reinforces stereotypical ideas by combining these two sources of information, with the obvious dominance of the former.

Authors

Institutions

Publication Details

Journal
Cuadernos Iberoamericanos
Published
2025-01-26
DOI
https://doi.org/10.46272/2409-3416-2024-12-4-68-89
Primary Topic
Photographic and Visual Arts
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

¡No Pasaran! The Image of Spain and the Image of the Enemy in a Soviet Information Photo Album of 1937

Екатерина Гранцева
Cuadernos Iberoamericanos
Photographic and Visual Arts
article

¡No Pasaran! The Image of Spain and the Image of the Enemy in a Soviet Information Photo Album of 1937

Екатерина Гранцева
article en

Abstract

The paths of Russia and Spain crossed several times in the 20 th century. The Spanish Civil War of 1936–1939 has always been and remains a topic that attracts the attention of experts and influences the development of a multifaceted cultural dialogue between the two countries. The events of those years contributed greatly to shaping the image of Spain in the Soviet Union. In recent decades, a number of works have been published, exploring not only the image of Spain in the USSR in the 1930s, but also the image of the enemy, which emerged as the first direct military confrontation with fascist regimes took place. An important topic analyzed in these works is the tools of visual securitization, which involves the formation of the enemy image by visual means. This paper is based on the materials included in the photo album ¡No pasaran! They will not pass! published by the Central Committee of the Komsomol in 1937. This source traditionally falls into the category of photo journalism. It is a type of source that is not examined much in literature, yet it is interesting as it combines visual images and verbal characteristics that reinforce stereotypical perceptions and key mythologems relevant to that period. The material illustrates how the image of Spain took shape in the USSR during the Civil War and how the image of the enemy emerged before World War II. The album was published as part of a pro-Spain campaign in the Soviet Union, when the Republican faction was still believed to win soon. The verbal content of the album is stronger than the images in terms of impact, although it is usually the visual content that is more impactful. Unlike poster art with its potential for visual securitization, a photo album, which combines extensive textual material with low-quality images, reinforces stereotypical ideas by combining these two sources of information, with the obvious dominance of the former.

Cuadernos IberoamericanosVol. 12(4)
Institute of World History (RU)
Openalex Percentile: Top 98%
Photographic and Visual Arts
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

¡No Pasaran! The Image of Spain and the Image of the Enemy in a Soviet Information Photo Album of 1937 — Екатерина Гранцева · Cuadernos Iberoamericanos (2025) | TGRS Research Map | TGRS