“I see wonderful things!” Socio-cognitive experience of Cypriot graffiti in ancient Egypt

Abstract This article analyses Cypriot graffiti in Egypt engraved by tourists and mercenaries in the Archaic and Classical periods (sixth through fourth centuries BC). These graffiti were inscribed on walls of majestic monuments, e. g., the pyramids in Giza and the temples of Karnak and Abydos. They were written in different languages and scripts all employed on the island, such as Cypriot-syllabic Greek, Eteocypriot – an indigenous language still undeciphered – alphabetic Greek and Phoenician, spread throughout the city-kingdoms into which Cyprus was subdivided. The examination is conducted through a socio-cognitive approach, moving beyond previous scholarship which exclusively focused on the graffiti’s concise texts – often limited to the names and provenance of the writers . By comparing Cypriot Egyptian graffiti with contemporary graffiti and twenty-first-century graffiti written in Cypriot-syllabic script, the analysis will shed light on the role of socio-political environment and landscapes in triggering individuals’ – in this case Cypriots’ – cognitive-behavioral responses which lead them to write these texts. This pioneering approach will allow a better understanding of the underlying reasons why these graffiti were engraved and in which locations. The investigation will provide a better knowledge of the origins of the Cypriot writers, level of literacy, and of their role in society (e. g., insiders vs. outsiders), shedding light on communities that would otherwise be unknown. Furthermore, this study lays the foundations for developing an innovative methodology applicable to epigraphic studies, based on integrating landscape interactions and visual impacts to more traditional examination strategies.

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Publication Details

Journal
Journal of Ancient History
Published
2025-02-03
DOI
https://doi.org/10.1515/jah-2024-0009
Primary Topic
Public Spaces through Art
Type
article
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article

“I see wonderful things!” Socio-cognitive experience of Cypriot graffiti in ancient Egypt

Beatrice Pestarino
Journal of Ancient History
Public Spaces through Art
article

“I see wonderful things!” Socio-cognitive experience of Cypriot graffiti in ancient Egypt

Beatrice Pestarino
article en

Abstract

Abstract This article analyses Cypriot graffiti in Egypt engraved by tourists and mercenaries in the Archaic and Classical periods (sixth through fourth centuries BC). These graffiti were inscribed on walls of majestic monuments, e. g., the pyramids in Giza and the temples of Karnak and Abydos. They were written in different languages and scripts all employed on the island, such as Cypriot-syllabic Greek, Eteocypriot – an indigenous language still undeciphered – alphabetic Greek and Phoenician, spread throughout the city-kingdoms into which Cyprus was subdivided. The examination is conducted through a socio-cognitive approach, moving beyond previous scholarship which exclusively focused on the graffiti’s concise texts – often limited to the names and provenance of the writers . By comparing Cypriot Egyptian graffiti with contemporary graffiti and twenty-first-century graffiti written in Cypriot-syllabic script, the analysis will shed light on the role of socio-political environment and landscapes in triggering individuals’ – in this case Cypriots’ – cognitive-behavioral responses which lead them to write these texts. This pioneering approach will allow a better understanding of the underlying reasons why these graffiti were engraved and in which locations. The investigation will provide a better knowledge of the origins of the Cypriot writers, level of literacy, and of their role in society (e. g., insiders vs. outsiders), shedding light on communities that would otherwise be unknown. Furthermore, this study lays the foundations for developing an innovative methodology applicable to epigraphic studies, based on integrating landscape interactions and visual impacts to more traditional examination strategies.

Journal of Ancient HistoryVol. 13(1)
University of Liverpool (GB), University of Haifa (IL)
Openalex Percentile: Top 97%
Public Spaces through Art
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