Sociology of popular music in Czechoslovakia (1948–1989)

Abstract This article focuses on the history of the Czechoslovak sociology of popular music, which formed at the beginning of the 1960s. The article first examines the origins of thinking about ‘mass music genres’ in the Czech lands in the interwar period. It further discusses considerations of mass music genres and their audiences after World War II in light of the communist takeover in 1948, Stalinism of the 1950s and liberalisation of the 1960s. Finally, the article presents the situation after the occupation of Czechoslovakia by Warsaw Pact troops in 1968. Based on analysis of archival sources and original theoretical texts, hitherto unknown in the context of Anglophone scholarship, this article seeks to show how the specific political background of the Central European state behind the Iron Curtain determined the foundation, scholarly focus and social role of the sociology of popular music and how it differed from the situation in Western capitalist countries.