I, object: Bringing women’s body image to the table in Northern Ireland

My doctoral research concerns making autoethnographic objects to illustrate my experience of poor body image and bulimia in a broader cultural context. I aimed to highlight how intersectional factors can impact different women’s body images. However, my autoethnography risked inadvertently presenting my (White) experience as generalizable. Holding workshops with my objects was a way to mitigate this possibility, but further reflection on my positionality was needed. Although my participants and I are White, I am an outsider-insider in Northern Ireland. My autoethnographic objects took two forms; one may be best defined as ‘liminal object illustration’. By mimicking tableware, I used their social and cultural associations to destabilize their familiarity and influence the workshop activity. The women made their own objects on themes arising from our conversations for a collaborative exhibition. This article refers to original data from the workshops and exhibition, collected between October 2022 and May 2023.

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Publication Details

Journal
Journal of Illustration
Published
2024-12-01
DOI
https://doi.org/10.1386/jill_00102_1
Citations
2
Primary Topic
Fashion and Cultural Textiles
Type
article
Field-Weighted Citation Impact
10.11
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article

I, object: Bringing women’s body image to the table in Northern Ireland

Beverley Irving-Edwards
2 citations
Journal of Illustration
Fashion and Cultural Textiles
10.11
article

I, object: Bringing women’s body image to the table in Northern Ireland

Beverley Irving-Edwards
article en
2 citations

Abstract

My doctoral research concerns making autoethnographic objects to illustrate my experience of poor body image and bulimia in a broader cultural context. I aimed to highlight how intersectional factors can impact different women’s body images. However, my autoethnography risked inadvertently presenting my (White) experience as generalizable. Holding workshops with my objects was a way to mitigate this possibility, but further reflection on my positionality was needed. Although my participants and I are White, I am an outsider-insider in Northern Ireland. My autoethnographic objects took two forms; one may be best defined as ‘liminal object illustration’. By mimicking tableware, I used their social and cultural associations to destabilize their familiarity and influence the workshop activity. The women made their own objects on themes arising from our conversations for a collaborative exhibition. This article refers to original data from the workshops and exhibition, collected between October 2022 and May 2023.

Journal of IllustrationVol. 11(2)
University of Ulster (GB)
Openalex Percentile: Top 2%
Fashion and Cultural Textiles
10.11
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I, object: Bringing women’s body image to the table in Northern Ireland — Beverley Irving-Edwards · Journal of Illustration (2024) | TGRS Research Map | TGRS