Memory, Identity and Otherness in Rhea Galanaki’s Novel "The Life of Ismail Ferik Pasha: Spina Nel Cuore"

Rhea Galanaki is widely regarded not only as a prominent contemporary Greek author but also as a key figure in the revival of the Greek historical novel, alongside writers such as Maro Douka, Alexis Panselinos, and Nikos Themelis. This new iteration of the historical novel, as articulated by Vangelis Hadjivassiliou, refrains from instrumentalizing the dichotomy of Self and Other to valorize the ‘own’ at the expense of the ‘other.’ Instead, it often explores the Other as an intrinsic element of the Self, a theme exemplified in Galanaki’s work. Through this nuanced approach to the past, the conventional stereotypes underpinning national identity are subjected to critical reexamination. This paper investigates how Galanaki’s novel addresses the interrelated themes of identity and Otherness, focusing on the manifestations and functions of memory and the recurring motif of return. Rather than seeking to delineate a fixed or immutable core of the Self, the analysis traces the protagonist’s journey toward reconciling polarized aspects of their existence. The study situates the relationship between identity, memory, and Otherness within the theoretical framework of Paul Ricoeur’s concept of identity, offering a deeper understanding of these interconnections in the novel.

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Publication Details

Journal
Zeszyty Cyrylo-Metodiańskie
Published
2025-01-10
DOI
https://doi.org/10.17951/zcm.2025.14.79-92
Primary Topic
Italian Fascism and Post-war Society
Type
article
Field-Weighted Citation Impact
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article

Memory, Identity and Otherness in Rhea Galanaki’s Novel "The Life of Ismail Ferik Pasha: Spina Nel Cuore"

Н. С. Попова
Zeszyty Cyrylo-Metodiańskie
Italian Fascism and Post-war Society
article

Memory, Identity and Otherness in Rhea Galanaki’s Novel "The Life of Ismail Ferik Pasha: Spina Nel Cuore"

Н. С. Попова
article en

Abstract

Rhea Galanaki is widely regarded not only as a prominent contemporary Greek author but also as a key figure in the revival of the Greek historical novel, alongside writers such as Maro Douka, Alexis Panselinos, and Nikos Themelis. This new iteration of the historical novel, as articulated by Vangelis Hadjivassiliou, refrains from instrumentalizing the dichotomy of Self and Other to valorize the ‘own’ at the expense of the ‘other.’ Instead, it often explores the Other as an intrinsic element of the Self, a theme exemplified in Galanaki’s work. Through this nuanced approach to the past, the conventional stereotypes underpinning national identity are subjected to critical reexamination. This paper investigates how Galanaki’s novel addresses the interrelated themes of identity and Otherness, focusing on the manifestations and functions of memory and the recurring motif of return. Rather than seeking to delineate a fixed or immutable core of the Self, the analysis traces the protagonist’s journey toward reconciling polarized aspects of their existence. The study situates the relationship between identity, memory, and Otherness within the theoretical framework of Paul Ricoeur’s concept of identity, offering a deeper understanding of these interconnections in the novel.

Zeszyty Cyrylo-MetodiańskieVol. 14
Sofia University "St. Kliment Ohridski" (BG)
Openalex Percentile: Top 98%
Italian Fascism and Post-war Society
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