Islamisasi Tari Zapin: Transformasi Estetika dan Spritualitas dalam Seni Tari Melayu

This study aims to analyze the Islamization of Zapin dance, viewed from the aspects of aesthetic and spiritual transformation in Malay dance art. This research is a literature study, with data collection methods conducted through a literature review using Google Scholar as the primary source, as well as books and other relevant materials related to the research object. The data analysis technique includes the following stages: Problem Identification, Literature Collection, Literature Filtering, and finally, Data Tabulation and Analysis. Based on the results and discussion, the Zapin dance is a traditional art form rooted in the history of Islamization in the Nusantara, particularly among the Malay community. Beyond providing entertainment, it serves as a medium for Islamic preaching, reflecting the aesthetic and spiritual ideals of Islam. The Zapin dance has undergone significant changes over time, with its lyrics and movements being modified to align more closely with Islamic principles. For instance, the Arabic letters alif sembah and bunga alif pusing form the basis of movements symbolizing obedience to Allah. Furthermore, the artistic elements of the Zapin dance emphasize elegant and harmonious movements, which reflect beauty and simplicity. In addition to enjoying its visual grandeur, the community also derives important moral and spiritual lessons from the Zapin performance

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Publication Details

Journal
Indo-MathEdu Intellectuals Journal
Published
2025-01-26
DOI
https://doi.org/10.54373/imeij.v6i1.2595
Citations
1
Primary Topic
Environmental Engineering and Cultural Studies
Type
article
Field-Weighted Citation Impact
3.25
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article

Islamisasi Tari Zapin: Transformasi Estetika dan Spritualitas dalam Seni Tari Melayu

Indah Pajar Wati, Choirun Niswah, Arina Hidayati, Alya Rasiqha Fadillah et al.
1 citations
Indo-MathEdu Intellectuals Journal
Environmental Engineering and Cultural Studies
3.25
article

Islamisasi Tari Zapin: Transformasi Estetika dan Spritualitas dalam Seni Tari Melayu

Indah Pajar Wati, Choirun Niswah, Arina Hidayati, Alya Rasiqha Fadillah, Nike Awalliyah Saputrie, Imelda Safira, Sinta Meilani, Desti Flauren Zakira, Wiwik Novita Sari, Moh Aufa Kholili
article en
1 citations

Abstract

This study aims to analyze the Islamization of Zapin dance, viewed from the aspects of aesthetic and spiritual transformation in Malay dance art. This research is a literature study, with data collection methods conducted through a literature review using Google Scholar as the primary source, as well as books and other relevant materials related to the research object. The data analysis technique includes the following stages: Problem Identification, Literature Collection, Literature Filtering, and finally, Data Tabulation and Analysis. Based on the results and discussion, the Zapin dance is a traditional art form rooted in the history of Islamization in the Nusantara, particularly among the Malay community. Beyond providing entertainment, it serves as a medium for Islamic preaching, reflecting the aesthetic and spiritual ideals of Islam. The Zapin dance has undergone significant changes over time, with its lyrics and movements being modified to align more closely with Islamic principles. For instance, the Arabic letters alif sembah and bunga alif pusing form the basis of movements symbolizing obedience to Allah. Furthermore, the artistic elements of the Zapin dance emphasize elegant and harmonious movements, which reflect beauty and simplicity. In addition to enjoying its visual grandeur, the community also derives important moral and spiritual lessons from the Zapin performance

Indo-MathEdu Intellectuals JournalVol. 6(1)
Universitas Islam Negeri Raden Intan Lampung (ID), Universitas Islam Negeri Raden Fatah Palembang (ID)
Quality Education
Openalex Percentile: Top 11%
Environmental Engineering and Cultural Studies
3.25
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