Your Comfort, My Silence

Society censors, rather than confronts, stories of rape and harassment. The artist’s work unveils the consequences of sexual assault trauma by engaging viewers with the emotional affect. Incorporating influences from Affect Theory, Relational Aesthetics, and Trauma therapy,the artist’s project proposal for TBA, “Your Comfort, My Silence,” examines the ways that trauma lingers leaving lasting imprints on lives. She does this in two key ways throughout her body of work: ‘Blankouts,’ an immersive wheat-pasted installation, which looks at the covert ways in which society suppresses women’s stories of assault through the use of coded language and censorship. Secondly, ‘Trauma Embodied,’ looks at how the artist self-censors her own stories through a multi-layered editing process of nine different videos. Lastly, the artist activates the gallery space creating various modes of interaction with the work engaging her audience to consider the ways in which the work imprints on their own experiences.

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Publication Details

Journal
tba Journal of Art Media and Visual Culture
Published
2025-02-01
DOI
https://doi.org/10.5206/tba.v6i1.18566
Primary Topic
Posthumanist Ethics and Activism
Type
article
Field-Weighted Citation Impact
0.00
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article

Your Comfort, My Silence

Rachelle Wunderink
tba Journal of Art Media and Visual Culture
Posthumanist Ethics and Activism
article

Your Comfort, My Silence

Rachelle Wunderink
article en

Abstract

Society censors, rather than confronts, stories of rape and harassment. The artist’s work unveils the consequences of sexual assault trauma by engaging viewers with the emotional affect. Incorporating influences from Affect Theory, Relational Aesthetics, and Trauma therapy,the artist’s project proposal for TBA, “Your Comfort, My Silence,” examines the ways that trauma lingers leaving lasting imprints on lives. She does this in two key ways throughout her body of work: ‘Blankouts,’ an immersive wheat-pasted installation, which looks at the covert ways in which society suppresses women’s stories of assault through the use of coded language and censorship. Secondly, ‘Trauma Embodied,’ looks at how the artist self-censors her own stories through a multi-layered editing process of nine different videos. Lastly, the artist activates the gallery space creating various modes of interaction with the work engaging her audience to consider the ways in which the work imprints on their own experiences.

tba Journal of Art Media and Visual CultureVol. 6(1)
York University (CA)
Openalex Percentile: Top 98%
Posthumanist Ethics and Activism
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Your Comfort, My Silence — Rachelle Wunderink · tba Journal of Art Media and Visual Culture (2025) | TGRS Research Map | TGRS