Viver é embeber-se em sonho: uma análise do sonho no Húmus e no Livro do desassossego

This article promotes a comparative reading of two of the greatest works of fiction produced in Portugal in the 20th century: Húmus (1917), by Raul Brandão, and Livro do desassossego (1982), by Fernando Pessoa (Bernardo Soares). Such an analytical confrontation is motivated by the understanding that in both works the figure of the dream occupies a central place. The objective of this article is to read both works from the theme of the dream, establishing similarities and differences, thus contributing to the understanding of the texts. At first, an attempt is made to define the dream in each of the works. Then, in a second part, the rapprochement between them is established through four themes: 1 – the dream and the encounter with oneself; 2 – overcoming the reality/dream opposition by substituting the first term for the second; 3 – the dream as an operator of metamorphoses; 4 – the dream as a reaction to the world.

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Publication Details

Journal
Revista Desassossego
Published
2024-12-26
DOI
https://doi.org/10.11606/issn.2175-3180.v16i32p227-242
Primary Topic
Linguistics and Language Studies
Type
article
Field-Weighted Citation Impact
0.00

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article

Viver é embeber-se em sonho: uma análise do sonho no Húmus e no Livro do desassossego

Carlos Conte Neto
Revista Desassossego
Linguistics and Language Studies
article

Viver é embeber-se em sonho: uma análise do sonho no Húmus e no Livro do desassossego

Carlos Conte Neto
article en

Abstract

This article promotes a comparative reading of two of the greatest works of fiction produced in Portugal in the 20th century: Húmus (1917), by Raul Brandão, and Livro do desassossego (1982), by Fernando Pessoa (Bernardo Soares). Such an analytical confrontation is motivated by the understanding that in both works the figure of the dream occupies a central place. The objective of this article is to read both works from the theme of the dream, establishing similarities and differences, thus contributing to the understanding of the texts. At first, an attempt is made to define the dream in each of the works. Then, in a second part, the rapprochement between them is established through four themes: 1 – the dream and the encounter with oneself; 2 – overcoming the reality/dream opposition by substituting the first term for the second; 3 – the dream as an operator of metamorphoses; 4 – the dream as a reaction to the world.

Revista DesassossegoVol. 16(32)
Universidade Nova de Lisboa (PT)
Fundação para a Ciência e a Tecnologia
Openalex Percentile: Top 53%
Linguistics and Language Studies
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