Representasi Budaya Sulang-Sulang Pahompu dalam Film Ngeri-Ngeri Sedap (Analisis Semiotika John Fiske)

This study aims to analyze the representation of the Sulang-Sulang Pahompu culture in the film Ngeri-Ngeri Sedap through John Fiske’s semiotic approach. The film is significant as it presents the life of the Batak community, rich with traditional values and unique kinship relations. Sulang-Sulang Pahompu, a traditional ritual that emphasizes respect for ancestors and family unity, is depicted through various visual and narrative elements within the film. This research applies Fiske's semiotic analysis method, focusing on three primary codes: social, technical, and ideological, to understand how this ritual is represented and interpreted within the Batak cultural context. The findings reveal that Ngeri-Ngeri Sedap successfully represents Batak cultural symbols by portraying intergenerational conflicts that balance modernization with reverence for ancestral traditions. The film serves not only as entertainment but also as an educational tool that introduces and reinforces Batak cultural identity, encouraging viewers to appreciate and understand local culture. The implications of this study show that film, as a popular medium, can play a significant role in preserving and introducing traditional culture to a broader audience in the era of globalization.

Authors

Publication Details

Journal
Citizen Jurnal Ilmiah Multidisiplin Indonesia
Published
2024-12-18
DOI
https://doi.org/10.53866/jimi.v4i3.618
Primary Topic
Cultural and Artistic Studies
Type
article
Field-Weighted Citation Impact
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article

Representasi Budaya Sulang-Sulang Pahompu dalam Film Ngeri-Ngeri Sedap (Analisis Semiotika John Fiske)

Hudi Santoso, Amiruddin Saleh, Citra Ayu Shafinas, Rici Tri Harpin Pranata
Citizen Jurnal Ilmiah Multidisiplin Indonesia
Cultural and Artistic Studies
article

Representasi Budaya Sulang-Sulang Pahompu dalam Film Ngeri-Ngeri Sedap (Analisis Semiotika John Fiske)

Hudi Santoso, Amiruddin Saleh, Citra Ayu Shafinas, Rici Tri Harpin Pranata
article en

Abstract

This study aims to analyze the representation of the Sulang-Sulang Pahompu culture in the film Ngeri-Ngeri Sedap through John Fiske’s semiotic approach. The film is significant as it presents the life of the Batak community, rich with traditional values and unique kinship relations. Sulang-Sulang Pahompu, a traditional ritual that emphasizes respect for ancestors and family unity, is depicted through various visual and narrative elements within the film. This research applies Fiske's semiotic analysis method, focusing on three primary codes: social, technical, and ideological, to understand how this ritual is represented and interpreted within the Batak cultural context. The findings reveal that Ngeri-Ngeri Sedap successfully represents Batak cultural symbols by portraying intergenerational conflicts that balance modernization with reverence for ancestral traditions. The film serves not only as entertainment but also as an educational tool that introduces and reinforces Batak cultural identity, encouraging viewers to appreciate and understand local culture. The implications of this study show that film, as a popular medium, can play a significant role in preserving and introducing traditional culture to a broader audience in the era of globalization.

Citizen Jurnal Ilmiah Multidisiplin IndonesiaVol. 4(3)
Openalex Percentile: Top 56%
Cultural and Artistic Studies
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