A Comparative Study of The Northern and Southern Styles of Zhuang Opera in the Guangxi Zhuang Aotonomous Region, China

Zhuang Opera is deeply rooted in the traditions, beliefs, and lifestyles of the Zhuang people, yet it faces numerous challenges in the context of globalization and modernization. In 2006, Zhuang Opera was recognized as a national intangible cultural heritage of China, offering an opportunity for its preservation. However, it continues to struggle with issues such as talent shortages, regional fragmentation, and the erosion of traditional practices. This study compares the two primary regional styles of Zhuang Opera—Northern and Southern—analyzing differences in dialects, musical styles, vocal techniques, instrumentation, and performance practices. Through fieldwork, interviews with practitioners, and detailed comparative musical analysis, the study reveals how these stylistic variations reflect the cultural values of the Northern and Southern traditions of Zhuang Opera. It also provides guidelines for the future development of Zhuang Opera, aiming to contribute to its preservation and revitalization while ensuring its continued significance in the cultural life of the Zhuang people.

Authors

Institutions

Publication Details

Journal
Journal of Management World
Published
2025-01-28
DOI
https://doi.org/10.53935/jomw.v2024i4.910
Primary Topic
Chinese history and philosophy
Type
article
Field-Weighted Citation Impact
0.00

Funders

Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

A Comparative Study of The Northern and Southern Styles of Zhuang Opera in the Guangxi Zhuang Aotonomous Region, China

Yotsapan Pantasri, Wenying Chen, Suthasinee Theerapan, Noppon Chaiyason et al.
Journal of Management World
Chinese history and philosophy
article

A Comparative Study of The Northern and Southern Styles of Zhuang Opera in the Guangxi Zhuang Aotonomous Region, China

Yotsapan Pantasri, Wenying Chen, Suthasinee Theerapan, Noppon Chaiyason, Natthapong Prathumchan
article en

Abstract

Zhuang Opera is deeply rooted in the traditions, beliefs, and lifestyles of the Zhuang people, yet it faces numerous challenges in the context of globalization and modernization. In 2006, Zhuang Opera was recognized as a national intangible cultural heritage of China, offering an opportunity for its preservation. However, it continues to struggle with issues such as talent shortages, regional fragmentation, and the erosion of traditional practices. This study compares the two primary regional styles of Zhuang Opera—Northern and Southern—analyzing differences in dialects, musical styles, vocal techniques, instrumentation, and performance practices. Through fieldwork, interviews with practitioners, and detailed comparative musical analysis, the study reveals how these stylistic variations reflect the cultural values of the Northern and Southern traditions of Zhuang Opera. It also provides guidelines for the future development of Zhuang Opera, aiming to contribute to its preservation and revitalization while ensuring its continued significance in the cultural life of the Zhuang people.

Journal of Management WorldVol. 2025(2)
Mahasarakham University (TH)
Mahasarakham University
Openalex Percentile: Top 98%
Chinese history and philosophy
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.