Stretching authenticity in times of restricted mobility: Transtextuality, place anchoring, and boredom in romance reality show <i>90 Day Fiancé: Self-Quarantined</i>

The article explores the impact of the COVID-19 pandemic on the production and narrative strategies of the 90 Day Fiancé franchise, focusing on its spin-off, 90 Day Fiancé: Self-Quarantined (2020). It examines how the programme adapted to mobility restrictions and lockdown policies through self-filming, remote interviewing, and focusing on mundane, pandemic-specific activities. Using theories of reality TV, documentary and authenticity, the study highlights the spin-off’s negotiation of authenticity via transtextuality, place anchoring and boredom. The article contributes to understanding how pandemic-era reality TV embraced flexibility and pragmatism, blending heightened authenticity with performative elements to maintain relatability and audience engagement.

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Publication Details

Journal
Critical Studies in Television The International Journal of Television Studies
Published
2025-01-28
DOI
https://doi.org/10.1177/17496020251316796
Primary Topic
Digital Games and Media
Type
article
Field-Weighted Citation Impact
0.00

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article

Stretching authenticity in times of restricted mobility: Transtextuality, place anchoring, and boredom in romance reality show 90 Day Fiancé: Self-Quarantined

Georgia Aitaki
Critical Studies in Television The International Journal of Television Studies
Digital Games and Media
article

Stretching authenticity in times of restricted mobility: Transtextuality, place anchoring, and boredom in romance reality show 90 Day Fiancé: Self-Quarantined

Georgia Aitaki
article en

Abstract

The article explores the impact of the COVID-19 pandemic on the production and narrative strategies of the 90 Day Fiancé franchise, focusing on its spin-off, 90 Day Fiancé: Self-Quarantined (2020). It examines how the programme adapted to mobility restrictions and lockdown policies through self-filming, remote interviewing, and focusing on mundane, pandemic-specific activities. Using theories of reality TV, documentary and authenticity, the study highlights the spin-off’s negotiation of authenticity via transtextuality, place anchoring and boredom. The article contributes to understanding how pandemic-era reality TV embraced flexibility and pragmatism, blending heightened authenticity with performative elements to maintain relatability and audience engagement.

Critical Studies in Television The International Journal of Television Studies
Karlstad University (SE)
Karlstads universitet
Openalex Percentile: Top 98%
Digital Games and Media
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