Development of metrorythmic skills of beginner students in the process of learning percussion instruments

The article aims at highlighting the theoretical and methodical aspects of developing metrorhythmic abilities of beginner students in the process of learning to play percussion instruments. The research methodology chosen for this aim included theoretical (analysis, synthesis, abstraction and generalization) and empirical (pedagogical observation) methods. The essence of key concepts, including “abilities”, “musical abilities” and “metrorhythmic abilities” have been considered. Metrorhythmic ability is defined as the basic unity of musical performance, providing the ability to perceive, interpret, and perform musical works with precision, expressiveness, and technical skills. It was revealed that metrorhythmic abilities are formed in ontogenesis gradually, from basic to more complex elements: from feeling the tempo to operating complex rhythmic patterns. Special attention is paid to the role of rhythm in performance on percussion instruments, where it acts as a formative element of musical material, regulating its movement in time. Methodical approaches aimed at the development of metrorhythmic abilities of beginner students are considered, in particular, practical, reproductive, visual-auditory and problem-based methods. A significant role in the educational process is given to improvisation, which contributes to the development of rhythmic sensitivity, technical skills, creative thinking and the ability to integrate individual interpretations into performance. The essence of creative tasks aimed at the development of emotional response, associative thinking and an independent approach to working with musical works is revealed. It is emphasized that the active musical activity of students, which includes performing rhythmic exercises, analyzing works of various genres and styles, using improvisation and interpretive approaches, is the basis of effective learning. Such methods allow students to develop technical, creative and analytical skills that ensure the success of musical performance on percussion instruments.

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Publication Details

Journal
Південноукраїнські мистецькі студії
Published
2025-01-29
DOI
https://doi.org/10.24195/artstudies.2024-4.6
Primary Topic
Mechanics and Biomechanics Studies
Type
article
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article

Development of metrorythmic skills of beginner students in the process of learning percussion instruments

Марина Григорівна Демидова
Південноукраїнські мистецькі студії
Mechanics and Biomechanics Studies
article

Development of metrorythmic skills of beginner students in the process of learning percussion instruments

Марина Григорівна Демидова
article en

Abstract

The article aims at highlighting the theoretical and methodical aspects of developing metrorhythmic abilities of beginner students in the process of learning to play percussion instruments. The research methodology chosen for this aim included theoretical (analysis, synthesis, abstraction and generalization) and empirical (pedagogical observation) methods. The essence of key concepts, including “abilities”, “musical abilities” and “metrorhythmic abilities” have been considered. Metrorhythmic ability is defined as the basic unity of musical performance, providing the ability to perceive, interpret, and perform musical works with precision, expressiveness, and technical skills. It was revealed that metrorhythmic abilities are formed in ontogenesis gradually, from basic to more complex elements: from feeling the tempo to operating complex rhythmic patterns. Special attention is paid to the role of rhythm in performance on percussion instruments, where it acts as a formative element of musical material, regulating its movement in time. Methodical approaches aimed at the development of metrorhythmic abilities of beginner students are considered, in particular, practical, reproductive, visual-auditory and problem-based methods. A significant role in the educational process is given to improvisation, which contributes to the development of rhythmic sensitivity, technical skills, creative thinking and the ability to integrate individual interpretations into performance. The essence of creative tasks aimed at the development of emotional response, associative thinking and an independent approach to working with musical works is revealed. It is emphasized that the active musical activity of students, which includes performing rhythmic exercises, analyzing works of various genres and styles, using improvisation and interpretive approaches, is the basis of effective learning. Such methods allow students to develop technical, creative and analytical skills that ensure the success of musical performance on percussion instruments.

Південноукраїнські мистецькі студії(4)
State institution "South Ukrainian National Pedagogical University named after K. D. Ushynsky" (UA)
Openalex Percentile: Top 99%
Mechanics and Biomechanics Studies
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Development of metrorythmic skills of beginner students in the process of learning percussion instruments — Марина Григорівна Демидова · Південноукраїнські мистецькі студії (2025) | TGRS Research Map | TGRS