Looking and Listening for Lived Theologies of Truth and Reconciliation: Learning from a Diffuse Art Installation in the Anglican Diocese of Ottawa

[Figure: see text] Christian complicity in colonialism and the need for truth telling and reconciliation with Indigenous peoples have been a central focus of academic theological research shared at the Canadian Theological Society in recent years. Many Canadian churches have offered official apologies and made formal commitments to right relations with Indigenous peoples. This paper considers the experience of “people in the pews.” Taking a diffuse visual art installation of white ceramic feathers as a starting point, it traces the contours of how local congregations in the Anglican Diocese of Ottawa are engaged with truth and reconciliation intellectually, emotionally, and actively. It names the need to bridge the gaps between academic theology and lived theology, and official church statements and everyday practices in congregations. It invites academic theologians to consider the questions: To whom are we listening? Who is listening to us?

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Publication Details

Journal
Toronto Journal of Theology
Published
2024-10-01
DOI
https://doi.org/10.3138/tjt-2024-0045
Primary Topic
Christian Theology and Mission
Type
article
Field-Weighted Citation Impact
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article

Looking and Listening for Lived Theologies of Truth and Reconciliation: Learning from a Diffuse Art Installation in the Anglican Diocese of Ottawa

Sarah Kathleen Johnson
Toronto Journal of Theology
Christian Theology and Mission
article

Looking and Listening for Lived Theologies of Truth and Reconciliation: Learning from a Diffuse Art Installation in the Anglican Diocese of Ottawa

Sarah Kathleen Johnson
article en

Abstract

[Figure: see text] Christian complicity in colonialism and the need for truth telling and reconciliation with Indigenous peoples have been a central focus of academic theological research shared at the Canadian Theological Society in recent years. Many Canadian churches have offered official apologies and made formal commitments to right relations with Indigenous peoples. This paper considers the experience of “people in the pews.” Taking a diffuse visual art installation of white ceramic feathers as a starting point, it traces the contours of how local congregations in the Anglican Diocese of Ottawa are engaged with truth and reconciliation intellectually, emotionally, and actively. It names the need to bridge the gaps between academic theology and lived theology, and official church statements and everyday practices in congregations. It invites academic theologians to consider the questions: To whom are we listening? Who is listening to us?

Toronto Journal of TheologyVol. 40(2)
Saint Paul University (CA)
Openalex Percentile: Top 58%
Christian Theology and Mission
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Looking and Listening for Lived Theologies of Truth and Reconciliation: Learning from a Diffuse Art Installation in the Anglican Diocese of Ottawa — Sarah Kathleen Johnson · Toronto Journal of Theology (2024) | TGRS Research Map | TGRS