“Intolerant Television”—The Coverage on Antisemitic Events in Italian Television News in 2019–2022

Communicative misunderstandings, cultural misinterpretations, and tribal hatreds are not phenomena that emerge and develop only in the digital world. Within platforms, conflicts explode and circulate mainly in crisis situations, but the relationship (constructive or destructive) with the similar and the different, as well as the narration of the symbolic meanings of specific cultural events, originate first and foremost in interpersonal relationships, institutional political contexts, and the representations (and consumption) of traditional media, such as the television space. Italian television is still one of the reference means of communication for the majority of the population, a figure that has been recorded especially during the recent pandemic emergency despite the significant collapse in advertising investments. Hatred, especially anti-Semitic hatred, is increasingly present in the information ecology, linked to nationalist narratives or aimed at restoring traditional values and fuelling an already highly polarised political debate in a now “dense” public sphere. In particular, during the health crisis, television journalists found it very difficult to report in depth on cases of discrimination or COVID-19.

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Publication Details

Journal
Social Sciences
Published
2025-01-27
DOI
https://doi.org/10.3390/socsci14020064
Primary Topic
Italian Fascism and Post-war Society
Type
article
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article

“Intolerant Television”—The Coverage on Antisemitic Events in Italian Television News in 2019–2022

Giacomo Buoncompagni
Social Sciences
Italian Fascism and Post-war Society
article

“Intolerant Television”—The Coverage on Antisemitic Events in Italian Television News in 2019–2022

Giacomo Buoncompagni
article en

Abstract

Communicative misunderstandings, cultural misinterpretations, and tribal hatreds are not phenomena that emerge and develop only in the digital world. Within platforms, conflicts explode and circulate mainly in crisis situations, but the relationship (constructive or destructive) with the similar and the different, as well as the narration of the symbolic meanings of specific cultural events, originate first and foremost in interpersonal relationships, institutional political contexts, and the representations (and consumption) of traditional media, such as the television space. Italian television is still one of the reference means of communication for the majority of the population, a figure that has been recorded especially during the recent pandemic emergency despite the significant collapse in advertising investments. Hatred, especially anti-Semitic hatred, is increasingly present in the information ecology, linked to nationalist narratives or aimed at restoring traditional values and fuelling an already highly polarised political debate in a now “dense” public sphere. In particular, during the health crisis, television journalists found it very difficult to report in depth on cases of discrimination or COVID-19.

Social SciencesVol. 14(2)
University of Macerata (IT)
Openalex Percentile: Top 98%
Italian Fascism and Post-war Society
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“Intolerant Television”—The Coverage on Antisemitic Events in Italian Television News in 2019–2022 — Giacomo Buoncompagni · Social Sciences (2025) | TGRS Research Map | TGRS