Public Art, Dance, and Music and the Politics of Culture in East and Central Africa

The interview that follows took place on Microsoft Teams on 22 May 2022. I have edited the transcript for length and readability. I asked Faisal Kiwewa to talk in some detail about the origin of the Bayimba International Festival of the Arts, its organisation and networks. I also invited him to discuss the Festival’s continuing impact on participating artists and audiences as well as its influence on the creative arts. He noted the changed landscape for the independent artists; the creative industry’s trend away from individual artist or small performing group productions powerfully limits the distribution and venue bookings’ potential of indigenous creative artists. And importantly, Kiwewa agreed on Bayimba International Festival’s lasting contribution to the creative industry and to an interregional East and Central African contemporary artistic culture.

Authors

Institutions

Publication Details

Journal
African performance review.
Published
2025-01-27
DOI
https://doi.org/10.30817/01412.apr0197
Citations
1
Primary Topic
African history and culture studies
Type
article
Field-Weighted Citation Impact
11.35
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Public Art, Dance, and Music and the Politics of Culture in East and Central Africa

Sam Kasule
1 citations
African performance review.
African history and culture studies
11.35
article

Public Art, Dance, and Music and the Politics of Culture in East and Central Africa

Sam Kasule
article en
1 citations

Abstract

The interview that follows took place on Microsoft Teams on 22 May 2022. I have edited the transcript for length and readability. I asked Faisal Kiwewa to talk in some detail about the origin of the Bayimba International Festival of the Arts, its organisation and networks. I also invited him to discuss the Festival’s continuing impact on participating artists and audiences as well as its influence on the creative arts. He noted the changed landscape for the independent artists; the creative industry’s trend away from individual artist or small performing group productions powerfully limits the distribution and venue bookings’ potential of indigenous creative artists. And importantly, Kiwewa agreed on Bayimba International Festival’s lasting contribution to the creative industry and to an interregional East and Central African contemporary artistic culture.

African performance review.Vol. 14(1&2)
University of Derby (GB)
Openalex Percentile: Top 4%
African history and culture studies
11.35
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.