Traversing Distances and Differences: Developing the African Women’s Playwright Network

In 2015, playwright, director and screenwriter from Cape Town, South Africa, Amy Jephta and I set up the African Women’s Playwright Network (AWPN) via a mobile app to traverse literal, conceptual and historic distances to enable artists, researchers, educators, programmers and publishers from various parts of Africa and its diasporas to connect. In this article, I will trace how and why this network was set up, while reflecting on what we need to think about when creating online and in-person spaces for artists and academics to explore difficult questions across cultural lines in postcolonial contexts. These questions include how we consider colonial legacies that continue to impact this kind of contemporary cross-cultural work, and how we shifted the network from discourse on creativity to what Aristea Fotopolou terms ‘doing feminism and being feminist’ (2016:5), as lived and performed behaviours.

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Publication Details

Journal
African performance review.
Published
2025-01-27
DOI
https://doi.org/10.30817/01412.apr0195
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00

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article

Traversing Distances and Differences: Developing the African Women’s Playwright Network

Yvette Hutchison
African performance review.
Theatre and Performance Studies
article

Traversing Distances and Differences: Developing the African Women’s Playwright Network

Yvette Hutchison
article en

Abstract

In 2015, playwright, director and screenwriter from Cape Town, South Africa, Amy Jephta and I set up the African Women’s Playwright Network (AWPN) via a mobile app to traverse literal, conceptual and historic distances to enable artists, researchers, educators, programmers and publishers from various parts of Africa and its diasporas to connect. In this article, I will trace how and why this network was set up, while reflecting on what we need to think about when creating online and in-person spaces for artists and academics to explore difficult questions across cultural lines in postcolonial contexts. These questions include how we consider colonial legacies that continue to impact this kind of contemporary cross-cultural work, and how we shifted the network from discourse on creativity to what Aristea Fotopolou terms ‘doing feminism and being feminist’ (2016:5), as lived and performed behaviours.

African performance review.Vol. 14(1&2)
University of Warwick (GB)
European Bank for Reconstruction and Development
Openalex Percentile: Top 99%
Theatre and Performance Studies
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Traversing Distances and Differences: Developing the African Women’s Playwright Network — Yvette Hutchison · African performance review. (2025) | TGRS Research Map | TGRS