Integrating VGGSK and BEATs for Enhanced Sound Event Detection: A Semi-Supervised GRU-Based System with Weak Labels and Synthetic Soundscapes

This paper presents the architecture we developed for the Detection and Classification of Acoustic Scenes and Events (DCASE) 2023 Challenge, specifically Task 4 on Sound Event Detection using Weak Labels and Synthetic Soundscapes. We integrated embeddings from VGGSK and BEATs, and employed a GRU-based model to classify sound events in each time frame. The system employs thresholding and smoothing techniques in its post-processing phase. For semi-supervised learning, we used the mean teacher approach with an Exponential Moving Average (EMA) strategy to update the teacher model’s parameters. Pseudo-labels, generated by the student model, help leverage unlabeled data. Additionally, we applied data augmentation methods including mix-up, Gaussian noise, and embedding masking. With additional training data, our system achieved a Polyphonic Sound Detection Score (PSDS) of 0.529 for PSDS1 and 0.78 for PSDS2 on the validation dataset.

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Publication Details

Published
2024-12-03
DOI
https://doi.org/10.1109/apsipaasc63619.2025.10848791
Primary Topic
Music and Audio Processing
Type
article
Field-Weighted Citation Impact
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article

Integrating VGGSK and BEATs for Enhanced Sound Event Detection: A Semi-Supervised GRU-Based System with Weak Labels and Synthetic Soundscapes

Jia‐Ching Wang, Paul K.S. Chan, Wei-Yu Chen, Yu-Han Cheng et al.
Music and Audio Processing
article

Integrating VGGSK and BEATs for Enhanced Sound Event Detection: A Semi-Supervised GRU-Based System with Weak Labels and Synthetic Soundscapes

Jia‐Ching Wang, Paul K.S. Chan, Wei-Yu Chen, Yu-Han Cheng, Hsiang-Feng Chuang, Chunyan Lu
article en

Abstract

This paper presents the architecture we developed for the Detection and Classification of Acoustic Scenes and Events (DCASE) 2023 Challenge, specifically Task 4 on Sound Event Detection using Weak Labels and Synthetic Soundscapes. We integrated embeddings from VGGSK and BEATs, and employed a GRU-based model to classify sound events in each time frame. The system employs thresholding and smoothing techniques in its post-processing phase. For semi-supervised learning, we used the mean teacher approach with an Exponential Moving Average (EMA) strategy to update the teacher model’s parameters. Pseudo-labels, generated by the student model, help leverage unlabeled data. Additionally, we applied data augmentation methods including mix-up, Gaussian noise, and embedding masking. With additional training data, our system achieved a Polyphonic Sound Detection Score (PSDS) of 0.529 for PSDS1 and 0.78 for PSDS2 on the validation dataset.

National Central University (TW), Chunghwa Telecom (Taiwan) (TW)
Openalex Percentile: Top 71%
Music and Audio Processing
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