THE INTERPRETATION OF ARTISTIC COMPOSITIONAL POLYPHONY IN ENGLISH AND UZBEK PROSE (BASED ON THE WORKS OF UZBEK AND ENGLISH-SPEAKING WRITERS OF THE 20TH-21ST CENTURIES

This article explores the concept of artistic compositional polyphony in English and Uzbek prose, focusing on its interpretation and application in the works of 20th-21st century writers. Polyphony, as a literary device, involves the harmonious coexistence of multiple voices, perspectives, and narrative layers within a single work. By examining the creative approaches of prominent Uzbek and English-speaking authors, this study highlights the similarities and differences in their use of polyphonic techniques. The research delves into the cultural, historical, and linguistic contexts that shape the narrative structures, offering a comparative analysis of how these writers integrate diverse viewpoints into their storytelling. The findings underscore the role of compositional polyphony in enriching the narrative fabric, fostering reader engagement, and reflecting the complexities of modern human experiences.