A narradora de Caderno Afegão: uma jornalista na borda do mundo

The proposal of this article is to investigate, through the analysis of the narrator's voice in Caderno Afegão, the interchange between personal diary and reporting, as well as the adherence between textual and authorial identities, manifested from gender issues, which the clash between different cultures brings forth. Our hypothesis is that the narrator's subjectivity is constructed, textually, from the cultural encounters she experiences. Thus, gradually, the distant gaze of a foreign reporter gives way to a feminine perspective, of solidarity with Afghan women. The examination of the work brings at least two important contributions to the study of journalistic narrative: first, it allows understanding fluctuations between genres of non-fiction and hybridizations, present in contemporary Portuguese-language journalism; second, it problematizes, in the field of narratology, the relationships between the empirical author and the narrator in factual accounts.

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Publication Details

Journal
Novos Olhares
Published
2024-12-20
DOI
https://doi.org/10.11606/issn.2238-7714.no.2024.223139
Primary Topic
Literature, Culture, and Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

A narradora de Caderno Afegão: uma jornalista na borda do mundo

Letícia de Oliveira Neves, Marcio de Vasconcellos Serelle
Novos Olhares
Literature, Culture, and Criticism
article

A narradora de Caderno Afegão: uma jornalista na borda do mundo

Letícia de Oliveira Neves, Marcio de Vasconcellos Serelle
article en

Abstract

The proposal of this article is to investigate, through the analysis of the narrator's voice in Caderno Afegão, the interchange between personal diary and reporting, as well as the adherence between textual and authorial identities, manifested from gender issues, which the clash between different cultures brings forth. Our hypothesis is that the narrator's subjectivity is constructed, textually, from the cultural encounters she experiences. Thus, gradually, the distant gaze of a foreign reporter gives way to a feminine perspective, of solidarity with Afghan women. The examination of the work brings at least two important contributions to the study of journalistic narrative: first, it allows understanding fluctuations between genres of non-fiction and hybridizations, present in contemporary Portuguese-language journalism; second, it problematizes, in the field of narratology, the relationships between the empirical author and the narrator in factual accounts.

Novos OlharesVol. 13(2)
Pontifícia Universidade Católica de Minas Gerais (BR)
Openalex Percentile: Top 59%
Literature, Culture, and Criticism
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