THE RELATIONSHIP BETWEEN ARCHITECTURAL AND ARTISTIC REPRESENTATION AND MODERN SCIENTIFIC AND PHILOSOPHICAL DOCTRINES

The article is devoted to the problem of the relationship between the holistic aesthetic idea of architecture and modern scientific and philosophical doctrines. The historiography of the issue covers two principles of C. Meillassoux in the criticism of correlationism, the method of object-oriented ontology of G. Harman, the actor-network theory of B. Latour, the movement of “poststructuralism” on an equal basis with the philosophical views on deconstructionism and parametric architecture of P. Schumacher, the performative understanding of architecture A. Shweder and P. Gadano. As a result, a number of conclusions are drawn that, to one degree or another, the main scientific and philosophical doctrines of the current time influence the architectural idea.