The Picaresque, the Abject Body, and Masculinity in Mohamed Choukri’s Autobiography For Bread Alone

This paper discusses the form of masculinity called picaresque masculinity and how it is textually constructed in the autobiography of Moroccan author Mohamed Choukri’ For Bread Alone (1973). It considers the intersection between picaresque themes and masculinity, focusing on how Choukri’s use of his physical body, the pains and the pleasures it gives him as a result of starvation, violence or lust, challenges the disembodied positions dominant in canonized Arabic tradition of autobiography.  The paper demonstrates how, by rendering the male body a visible element of masculine subjectivity, Choukri implements transgressive strategies of writing to problematize and destabilize the fixity of the male body. The article draws upon the Arab Islamic discourse of the body and the picaresque narrative theory to demonstrate how Choukri weaves his body into the picaresque to dramatize the abjection and violence he is subject to as well as to construct his masculine subjectivity.  Picaresque masculinity, it will be shown, is a self-conscious textual construction which exposes and inverts the hierarchies of the hegemonic and the subordinate.

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Publication Details

Journal
Ars Aeterna
Published
2024-12-21
DOI
https://doi.org/10.17846/aa-2024-16-2-100-125
Primary Topic
African history and culture studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The Picaresque, the Abject Body, and Masculinity in Mohamed Choukri’s Autobiography For Bread Alone

Hassan Ait-El-Ouali
Ars Aeterna
African history and culture studies
article

The Picaresque, the Abject Body, and Masculinity in Mohamed Choukri’s Autobiography For Bread Alone

Hassan Ait-El-Ouali
article en

Abstract

This paper discusses the form of masculinity called picaresque masculinity and how it is textually constructed in the autobiography of Moroccan author Mohamed Choukri’ For Bread Alone (1973). It considers the intersection between picaresque themes and masculinity, focusing on how Choukri’s use of his physical body, the pains and the pleasures it gives him as a result of starvation, violence or lust, challenges the disembodied positions dominant in canonized Arabic tradition of autobiography.  The paper demonstrates how, by rendering the male body a visible element of masculine subjectivity, Choukri implements transgressive strategies of writing to problematize and destabilize the fixity of the male body. The article draws upon the Arab Islamic discourse of the body and the picaresque narrative theory to demonstrate how Choukri weaves his body into the picaresque to dramatize the abjection and violence he is subject to as well as to construct his masculine subjectivity.  Picaresque masculinity, it will be shown, is a self-conscious textual construction which exposes and inverts the hierarchies of the hegemonic and the subordinate.

Ars AeternaVol. 16(2)
University of Debrecen (HU)
Gender equality
Openalex Percentile: Top 60%
African history and culture studies
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