Imagination and Knowledge in Denise Levertov’s The Showings: Lady Julian of Norwich, 1342 – 1416

Christian spirituality, Biblical characters, stories and images, and the questions of faith have been a powerful fountain of inspiration for the British-American poet Denise Levertov (1923 – 1997). Strongly influenced by the thought on poetry of Rainer Maria Rilke, Levertov believed in the ‘experiential’ dimension of a poet’s vocation, the direct connection between what the writer feels through (experiences) and their creative work. This paper focuses on Levertov’s poetic sequence ‘The Showings: Lady Julian of Norwich, 1342-1416’, published in the collection Breathing the Water (1987). ‘The Showings: Lady Julian of Norwich, 1342-1416’ is the poet’s personal response to the medieval mystical text known as Revelations of Divine Love, written by an English anchoress and mystic Julian of Norwich. The paper seeks to explore how Levertov approaches Julian’s text and how she interprets its relevance for modern readers. Special attention is given to the concept of imagination, which, according to Levertov, "is the perceptive organ through which it is possible, though not inevitable, to experience God".

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Publication Details

Journal
Ars Aeterna
Published
2024-12-21
DOI
https://doi.org/10.17846/aa-2024-16-2-126-145
Primary Topic
Medieval Literature and History
Type
article
Field-Weighted Citation Impact
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article

Imagination and Knowledge in Denise Levertov’s The Showings: Lady Julian of Norwich, 1342 – 1416

Mária Hricková, Pryia Carol
Ars Aeterna
Medieval Literature and History
article

Imagination and Knowledge in Denise Levertov’s The Showings: Lady Julian of Norwich, 1342 – 1416

Mária Hricková, Pryia Carol
article en

Abstract

Christian spirituality, Biblical characters, stories and images, and the questions of faith have been a powerful fountain of inspiration for the British-American poet Denise Levertov (1923 – 1997). Strongly influenced by the thought on poetry of Rainer Maria Rilke, Levertov believed in the ‘experiential’ dimension of a poet’s vocation, the direct connection between what the writer feels through (experiences) and their creative work. This paper focuses on Levertov’s poetic sequence ‘The Showings: Lady Julian of Norwich, 1342-1416’, published in the collection Breathing the Water (1987). ‘The Showings: Lady Julian of Norwich, 1342-1416’ is the poet’s personal response to the medieval mystical text known as Revelations of Divine Love, written by an English anchoress and mystic Julian of Norwich. The paper seeks to explore how Levertov approaches Julian’s text and how she interprets its relevance for modern readers. Special attention is given to the concept of imagination, which, according to Levertov, "is the perceptive organ through which it is possible, though not inevitable, to experience God".

Ars AeternaVol. 16(2)
Constantine the Philosopher University in Nitra (SK)
Gender equality
Openalex Percentile: Top 64%
Medieval Literature and History
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Imagination and Knowledge in Denise Levertov’s The Showings: Lady Julian of Norwich, 1342 – 1416 — Mária Hricková, Pryia Carol · Ars Aeterna (2024) | TGRS Research Map | TGRS