Post-immersive Listening: Perspectives on the Mediation of Sonic Environments

Unplanned meetings can stem from complex movements across geographies, with serendipity playing a key role. Media artist Budhaditya Chattopadhyay unexpectedly meets researcher Budhaditya Chattopadhyay at a café in Budapest. This is their eighth meeting, following previous encounters in Copenhagen (2017), Den Haag (2021c), Kolkata (2021b), Berlin (2022a), Beirut (2022b), Basel (2023), and Rampurhat (2024). Each interaction has fostered a reflexive exchange of ideas, merging their artistic and theoretical perspectives on sound, listening, migratory experiences, and decolonial activism. Despite the differing lenses they bring, their conversations generate new insights. In the bustling café, surrounded by disengaged students emblematic of the isolation in European universities, the two engage in thoughtful discussions on acoustic ecologies, sonic environments, field recording, and audiovisual media. Their dialogue embodies a spirit of camaraderie, underscoring the value of interdisciplinary exchanges in nurturing knowledge and understanding across artistic and scholarly domains.

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Publication Details

Journal
Revista Vórtex
Published
2025-01-22
DOI
https://doi.org/10.33871/vortex.2024.12.9663
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00

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article

Post-immersive Listening: Perspectives on the Mediation of Sonic Environments

Budhaditya Chattopadhyay
Revista Vórtex
South Asian Cinema and Culture
article

Post-immersive Listening: Perspectives on the Mediation of Sonic Environments

Budhaditya Chattopadhyay
article en

Abstract

Unplanned meetings can stem from complex movements across geographies, with serendipity playing a key role. Media artist Budhaditya Chattopadhyay unexpectedly meets researcher Budhaditya Chattopadhyay at a café in Budapest. This is their eighth meeting, following previous encounters in Copenhagen (2017), Den Haag (2021c), Kolkata (2021b), Berlin (2022a), Beirut (2022b), Basel (2023), and Rampurhat (2024). Each interaction has fostered a reflexive exchange of ideas, merging their artistic and theoretical perspectives on sound, listening, migratory experiences, and decolonial activism. Despite the differing lenses they bring, their conversations generate new insights. In the bustling café, surrounded by disengaged students emblematic of the isolation in European universities, the two engage in thoughtful discussions on acoustic ecologies, sonic environments, field recording, and audiovisual media. Their dialogue embodies a spirit of camaraderie, underscoring the value of interdisciplinary exchanges in nurturing knowledge and understanding across artistic and scholarly domains.

Revista VórtexVol. 12
University of Bergen (NO)
National Science Foundation, Northwestern University, European Commission, Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung, Universitetet i Bergen
Openalex Percentile: Top 99%
South Asian Cinema and Culture
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