Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery

sponsorship: The authors extend their heartfelt gratitude to Prof. Thomas Coomans (KU Leuven), Prof. Hilde Heynen (KU Leuven), Prof. Scott Soo (University of Southampton), Prof. Aude Campmas (University of Southampton), Prof. Mechthild Fend (Goethe University Frankfurt), Prof. Frederike Middelhoff (Goethe University Frankfurt), Dr. Miguel A. Gaete, and the colleagues at the conference "Romanticism's Colonial Legacies in and Beyond Europe" for their invaluable assistance and insightful suggestions. Special thanks are due to the BC Archive in Canada for providing essential materials. The authors also deeply appreciate the Association for Art History (UK) for generously covering the image licensing fees used in this article. Finally, sincere thanks are extended to Xinyuan Dang (KU Leuven) for his expertise and help during the article submission process. (China Scholarship Council (CSC), Association for Art History (UK))

Authors

Institutions

Publication Details

Journal
Photography and Culture
Published
2024-10-01
DOI
https://doi.org/10.1080/17514517.2024.2444038
Citations
1
Primary Topic
Cultural Heritage Management and Preservation
Type
article
Field-Weighted Citation Impact
2.92

Funders

Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery

Dominique Bauer, Yuansheng Luo
1 citations
Photography and Culture
Cultural Heritage Management and Preservation
2.92
article

Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery

Dominique Bauer, Yuansheng Luo
article en
1 citations

Abstract

sponsorship: The authors extend their heartfelt gratitude to Prof. Thomas Coomans (KU Leuven), Prof. Hilde Heynen (KU Leuven), Prof. Scott Soo (University of Southampton), Prof. Aude Campmas (University of Southampton), Prof. Mechthild Fend (Goethe University Frankfurt), Prof. Frederike Middelhoff (Goethe University Frankfurt), Dr. Miguel A. Gaete, and the colleagues at the conference "Romanticism's Colonial Legacies in and Beyond Europe" for their invaluable assistance and insightful suggestions. Special thanks are due to the BC Archive in Canada for providing essential materials. The authors also deeply appreciate the Association for Art History (UK) for generously covering the image licensing fees used in this article. Finally, sincere thanks are extended to Xinyuan Dang (KU Leuven) for his expertise and help during the article submission process. (China Scholarship Council (CSC), Association for Art History (UK))

Photography and CultureVol. 17(4)
KU Leuven (BE)
China Scholarship Council
Openalex Percentile: Top 6%
Cultural Heritage Management and Preservation
2.92
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery — Dominique Bauer, Yuansheng Luo · Photography and Culture (2024) | TGRS Research Map | TGRS