Vehicles of Vision

Abstract Anxieties generated from the challenges of sustainable and equitable societies and the hopes for transcending routes through uncertain times have often found their paths crossing within the motion sequence of the dystopian car chase on film. Each decade has met this crossing—of frightening futures and fleeting freedoms—with its own set of driving rules and transport-based dimensions. From Mad Max 's original release in 1979 to the most recent Death Race installment, Beyond Anarchy , in 2018, the dystopian car chase on film represents vehicles of vision, in which races for the drivers’ survival, personal freedom, community, meaning, and humanization provide the chance to transcend, even if temporarily, the audiences’ existing fears of the future ramifications of their present societies.

Authors

Publication Details

Journal
Screen Bodies
Published
2024-12-01
DOI
https://doi.org/10.3167/screen.2024.090207
Primary Topic
Historical and Architectural Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Vehicles of Vision

Katherine Cottle
Screen Bodies
Historical and Architectural Studies
article

Vehicles of Vision

Katherine Cottle
article en

Abstract

Abstract Anxieties generated from the challenges of sustainable and equitable societies and the hopes for transcending routes through uncertain times have often found their paths crossing within the motion sequence of the dystopian car chase on film. Each decade has met this crossing—of frightening futures and fleeting freedoms—with its own set of driving rules and transport-based dimensions. From Mad Max 's original release in 1979 to the most recent Death Race installment, Beyond Anarchy , in 2018, the dystopian car chase on film represents vehicles of vision, in which races for the drivers’ survival, personal freedom, community, meaning, and humanization provide the chance to transcend, even if temporarily, the audiences’ existing fears of the future ramifications of their present societies.

Screen BodiesVol. 9(2)
Openalex Percentile: Top 56%
Historical and Architectural Studies
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