Polyphonic Echoes of Memory: Between Revolutions (2023), an Affective Epistolary Film

This study uses Bakhtinian methods to examine how the essay film Between Revolutions (Între revoluţii, Vlad Petri, 2023) portrays the polyphonic nature of memory and trauma in narratives about revolutions, focusing on two women’s experiences in Romania and Iran through the epistolary form. The author aims to explore the relationship between individual and collective memories, emphasizing how these narratives, free from media dominance, challenge prevailing belief about revolutions in Iran and Romania. This polyphonic approach – where multiple, independent voices and perspectives coexist within the narrative – allows the film to interweave personal and historical narratives through a diverse array of voices, both female and male, public and private. By blending political and intimate perspectives, it amplifies the voices of ordinary citizens from Romania and Iran. The intermediality of image, voiceover, and music enriches the polyphonic structure, employing archival footage, protest sounds, and interviews juxtaposed with moments of silence and personal letters. The research highlights the film’s dialogic approach to memory, analyzing how the combination and juxtaposition of personal stories and archival footage enriches cultural memory.

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Publication Details

Journal
Acta Universitatis Sapientiae Film and Media Studies
Published
2024-11-29
DOI
https://doi.org/10.47745/ausfm-2024-0016
Primary Topic
Visual Culture and Art Theory
Type
article
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article

Polyphonic Echoes of Memory: Between Revolutions (2023), an Affective Epistolary Film

Yasaman Baghban
Acta Universitatis Sapientiae Film and Media Studies
Visual Culture and Art Theory
article

Polyphonic Echoes of Memory: Between Revolutions (2023), an Affective Epistolary Film

Yasaman Baghban
article en

Abstract

This study uses Bakhtinian methods to examine how the essay film Between Revolutions (Între revoluţii, Vlad Petri, 2023) portrays the polyphonic nature of memory and trauma in narratives about revolutions, focusing on two women’s experiences in Romania and Iran through the epistolary form. The author aims to explore the relationship between individual and collective memories, emphasizing how these narratives, free from media dominance, challenge prevailing belief about revolutions in Iran and Romania. This polyphonic approach – where multiple, independent voices and perspectives coexist within the narrative – allows the film to interweave personal and historical narratives through a diverse array of voices, both female and male, public and private. By blending political and intimate perspectives, it amplifies the voices of ordinary citizens from Romania and Iran. The intermediality of image, voiceover, and music enriches the polyphonic structure, employing archival footage, protest sounds, and interviews juxtaposed with moments of silence and personal letters. The research highlights the film’s dialogic approach to memory, analyzing how the combination and juxtaposition of personal stories and archival footage enriches cultural memory.

Acta Universitatis Sapientiae Film and Media StudiesVol. 26
University of Rochester (US)
Openalex Percentile: Top 60%
Visual Culture and Art Theory
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Polyphonic Echoes of Memory: Between Revolutions (2023), an Affective Epistolary Film — Yasaman Baghban · Acta Universitatis Sapientiae Film and Media Studies (2024) | TGRS Research Map | TGRS