Distingusic: Distinguishing Synthesized Music from Human

In this paper we focus on a problem that is increasingly plaguing the music industry; to a large extent due to the proliferation of generative AI models that enable the generation of new realistic and indistinguishable content for diverse modalities: text, image, audio, video. We address this problem from the perspective of audio watermarking; to our best knowledge, this is the first-known watermarking based approach to solve the problem of distinguishing realistic songs synthesized from generative AI models from real songs sung by humans. In more detail, our approach specifically utilizes the SHA-256 hash function, Singular Value Decomposition (SVD) and Discrete Wavelet Transform (DWT) for robust audio watermarking of synthesized songs. Before embedding, the audio is subjected to an attack phase to pinpoint less vulnerable regions for QR watermark placement. During the embedding process, the audio chunks first undergo a 1-level Discrete Wavelet Transform (DWT), and then the resulting approximate coefficients go through Singular Value Decompo-sition (SVD). Additionally, the watermarked array is subjected to SHA-256 hashing for collision-resistant conciseness, which is subsequently embedded into the singular values of the audio. Experimental findings demonstrate the superiority of our method over existing audio watermarking approaches under various signal attack scenarios.

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Publication Details

Published
2024-10-06
DOI
https://doi.org/10.1109/smc54092.2024.10831044
Primary Topic
Music Technology and Sound Studies
Type
article
Field-Weighted Citation Impact
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article

Distingusic: Distinguishing Synthesized Music from Human

Sailaja Rajanala, Shu-Min Leong, Arghya Pal, Raphaël C.‐W. Phan et al.
Music Technology and Sound Studies
article

Distingusic: Distinguishing Synthesized Music from Human

Sailaja Rajanala, Shu-Min Leong, Arghya Pal, Raphaël C.‐W. Phan, Zi-Qian Yong
article en

Abstract

In this paper we focus on a problem that is increasingly plaguing the music industry; to a large extent due to the proliferation of generative AI models that enable the generation of new realistic and indistinguishable content for diverse modalities: text, image, audio, video. We address this problem from the perspective of audio watermarking; to our best knowledge, this is the first-known watermarking based approach to solve the problem of distinguishing realistic songs synthesized from generative AI models from real songs sung by humans. In more detail, our approach specifically utilizes the SHA-256 hash function, Singular Value Decomposition (SVD) and Discrete Wavelet Transform (DWT) for robust audio watermarking of synthesized songs. Before embedding, the audio is subjected to an attack phase to pinpoint less vulnerable regions for QR watermark placement. During the embedding process, the audio chunks first undergo a 1-level Discrete Wavelet Transform (DWT), and then the resulting approximate coefficients go through Singular Value Decompo-sition (SVD). Additionally, the watermarked array is subjected to SHA-256 hashing for collision-resistant conciseness, which is subsequently embedded into the singular values of the audio. Experimental findings demonstrate the superiority of our method over existing audio watermarking approaches under various signal attack scenarios.

Monash University Malaysia (MY)
Reduced inequalities
Openalex Percentile: Top 74%
Music Technology and Sound Studies
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Distingusic: Distinguishing Synthesized Music from Human — Sailaja Rajanala, Shu-Min Leong, et al. · (2024) | TGRS Research Map | TGRS