SINGKUH: WHERE HUMAN IMAGINATION MEETS TECHNOLOGICAL SOUND EXPERIMENTATION

“Singkuh” is an experimental music composition based on the Balinese concept of "singkuh," meaning "strange." The work challenges traditional musical conventions by introducing unconventional sounds, techniques, and forms, contributing to the field of experimental music. To explore innovative approaches to music-making, breaking traditional norms, and expanding the possibilities of sound exploration through unconventional techniques and instruments. The composition utilizes VCV Rack software to operate modular synthesizers, providing effects for acoustic instruments. The creation process follows the Art Consortium's five stages: preparation, elaboration, synthesis, concept realization, and evaluation. The result is a 30-minute experimental composition for acoustic and electronic instruments. It includes diverse instruments such as piano, synthesizers, ocarina, kalimba, harmonica, bird whistles, and more. The work is divided into five sections emphasizing different experimental aspects. “Singkuh” introduces innovative techniques, instruments, and notations to experimental music. It expands musical boundaries and encourages both musicians and listeners to explore diverse sound possibilities.

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Publication Details

Journal
Proceeding Bali-Bhuwana Waskita Global Art Creativity Conference
Published
2024-12-29
DOI
https://doi.org/10.31091/bbwp.v4i1.595
Primary Topic
Science Education and Perceptions
Type
article
Field-Weighted Citation Impact
0.00
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article

SINGKUH: WHERE HUMAN IMAGINATION MEETS TECHNOLOGICAL SOUND EXPERIMENTATION

Ni Made Ayu Dwara Putri, Damay Nouvanala Radja Rafa
Proceeding Bali-Bhuwana Waskita Global Art Creativity Conference
Science Education and Perceptions
article

SINGKUH: WHERE HUMAN IMAGINATION MEETS TECHNOLOGICAL SOUND EXPERIMENTATION

Ni Made Ayu Dwara Putri, Damay Nouvanala Radja Rafa
article en

Abstract

“Singkuh” is an experimental music composition based on the Balinese concept of "singkuh," meaning "strange." The work challenges traditional musical conventions by introducing unconventional sounds, techniques, and forms, contributing to the field of experimental music. To explore innovative approaches to music-making, breaking traditional norms, and expanding the possibilities of sound exploration through unconventional techniques and instruments. The composition utilizes VCV Rack software to operate modular synthesizers, providing effects for acoustic instruments. The creation process follows the Art Consortium's five stages: preparation, elaboration, synthesis, concept realization, and evaluation. The result is a 30-minute experimental composition for acoustic and electronic instruments. It includes diverse instruments such as piano, synthesizers, ocarina, kalimba, harmonica, bird whistles, and more. The work is divided into five sections emphasizing different experimental aspects. “Singkuh” introduces innovative techniques, instruments, and notations to experimental music. It expands musical boundaries and encourages both musicians and listeners to explore diverse sound possibilities.

Proceeding Bali-Bhuwana Waskita Global Art Creativity ConferenceVol. 4
Institut Seni Indonesia Denpasar (ID)
Openalex Percentile: Top 67%
Science Education and Perceptions
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SINGKUH: WHERE HUMAN IMAGINATION MEETS TECHNOLOGICAL SOUND EXPERIMENTATION — Ni Made Ayu Dwara Putri, Damay Nouvanala Radja Rafa · Proceeding Bali-Bhuwana Waskita Global Art Creativity Conference (2024) | TGRS Research Map | TGRS