The Jewish German-American musicologist Fritz A. Kuttner and China

Abstract We explore the topic of self-translation in migration through the biography of Fritz A. Kuttner, a German Jewish economist who became a musicologist during the years he spent in his native country just before he managed to escape from the Nazis. His interest in musicology intensified as an immigrant in Shanghai from 1939 to 1949, where he also studied pre-modern Chinese musical culture. After his emigration and becoming a US citizen, Kuttner emerged as a pioneer in this new field. We trace Kuttner’s path as a whole, but focus especially on his Shanghai years. Among other things, these are marked by his study of the Chinese language, life in the multilingual Jewish refugee community, music as a meeting point between East and West, his growing understanding of a connection between Chinese language, music and culture as a whole, and his efforts to translate his understanding of the semiotics of ancient Chinese music into the language and theoretical perspective of Western musicology. In addition to documenting his experiences and academic self-translation, we argue in favour of a broader concept of self-translation as being relevant to an intercultural sense of self.

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Publication Details

Journal
Target International Journal of Translation Studies
Published
2024-12-31
DOI
https://doi.org/10.1075/target.00024.pen
Primary Topic
Musicology and Musical Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

The Jewish German-American musicologist Fritz A. Kuttner and China

David Bartosch, Bei Peng
Target International Journal of Translation Studies
Musicology and Musical Analysis
article

The Jewish German-American musicologist Fritz A. Kuttner and China

David Bartosch, Bei Peng
article en

Abstract

Abstract We explore the topic of self-translation in migration through the biography of Fritz A. Kuttner, a German Jewish economist who became a musicologist during the years he spent in his native country just before he managed to escape from the Nazis. His interest in musicology intensified as an immigrant in Shanghai from 1939 to 1949, where he also studied pre-modern Chinese musical culture. After his emigration and becoming a US citizen, Kuttner emerged as a pioneer in this new field. We trace Kuttner’s path as a whole, but focus especially on his Shanghai years. Among other things, these are marked by his study of the Chinese language, life in the multilingual Jewish refugee community, music as a meeting point between East and West, his growing understanding of a connection between Chinese language, music and culture as a whole, and his efforts to translate his understanding of the semiotics of ancient Chinese music into the language and theoretical perspective of Western musicology. In addition to documenting his experiences and academic self-translation, we argue in favour of a broader concept of self-translation as being relevant to an intercultural sense of self.

Target International Journal of Translation StudiesVol. 36(4)
Johannes Gutenberg University Mainz (DE), Beijing Normal University (CN)
Openalex Percentile: Top 66%
Musicology and Musical Analysis
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