A Study on the Design of Creative Style with Hair Shape as Motivation in Goryeo Buddha Painting

This study attempted to provide data on the creation and development of upstyle by examining the hair shapes in Goryeo Buddhist paintings and creatively designing them. For this study, first, the concept of upstyle and upstyle design elements, such as shape, texture, color, and upstyle techniques, were investigated through the Internet, literature books, and previous studies, and then these were identified and organized. Second, after examining the concept of Goryeo Buddhist paintings and their tanghwa, murals, and hardening, the status and head shape of the characters appearing in the painting were analyzed and organized, focusing on Gwangyeongsangdo, Gwangyeong 16-gwanbyeonsangdo, Mireuksaenggyeongbyeonsangdo, Suwolgwaneumdo, and Jijangsiwangdo. Third, among the hair shapes shown in the painting, Chuma-gye, Jocheon-gye, Ssanghwan-gye, Queen's head, and Ssangsu-gye were selected, which can represent the Goryeo Dynasty. Fourth, 5 creative upstyle works were produced by mixing upstyle design techniques with the selected classical hair. Fifth, the formability that appears in 5 creative upstyle works was analyzed. As a result of the study, Chuma-gye designed the frontal part in the shape of a ring and a flower shape and the occipital part in a wave shape. Gogye designed the frontal part in the form of a large triangular composition and expressed the occipital part in the form of a round roll. Cho Cheon-gye designed the front part in a fan shape and then put an S wave on the hair of the back part to make it flow down to the shoulder. Ssanghwan-gye designed the front part in the shape of two horns and expressed the back part in the shape of a butterfly. The queen's head designed the front part to have an S-shaped diagonal line and then expressed the back part in a turtleneck shape. Ssangsu-gye divided the hair into two equal parts and tied each behind the ears to design the hair in a circular shape, and expressed the remaining tip hair in a fountain shape. Therefore, it is expected that these results can be used as good data for the development of creative upstyle design.

Authors

Publication Details

Journal
Journal of Health and Beauty
Published
2024-12-30
DOI
https://doi.org/10.35131/ishb.2024.18.3_1.59
Primary Topic
Consumer Perception and Purchasing Behavior
Type
article
Field-Weighted Citation Impact
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article

A Study on the Design of Creative Style with Hair Shape as Motivation in Goryeo Buddha Painting

D. J. Kim, Yun-Og Hwang
Journal of Health and Beauty
Consumer Perception and Purchasing Behavior
article

A Study on the Design of Creative Style with Hair Shape as Motivation in Goryeo Buddha Painting

D. J. Kim, Yun-Og Hwang
article en

Abstract

This study attempted to provide data on the creation and development of upstyle by examining the hair shapes in Goryeo Buddhist paintings and creatively designing them. For this study, first, the concept of upstyle and upstyle design elements, such as shape, texture, color, and upstyle techniques, were investigated through the Internet, literature books, and previous studies, and then these were identified and organized. Second, after examining the concept of Goryeo Buddhist paintings and their tanghwa, murals, and hardening, the status and head shape of the characters appearing in the painting were analyzed and organized, focusing on Gwangyeongsangdo, Gwangyeong 16-gwanbyeonsangdo, Mireuksaenggyeongbyeonsangdo, Suwolgwaneumdo, and Jijangsiwangdo. Third, among the hair shapes shown in the painting, Chuma-gye, Jocheon-gye, Ssanghwan-gye, Queen's head, and Ssangsu-gye were selected, which can represent the Goryeo Dynasty. Fourth, 5 creative upstyle works were produced by mixing upstyle design techniques with the selected classical hair. Fifth, the formability that appears in 5 creative upstyle works was analyzed. As a result of the study, Chuma-gye designed the frontal part in the shape of a ring and a flower shape and the occipital part in a wave shape. Gogye designed the frontal part in the form of a large triangular composition and expressed the occipital part in the form of a round roll. Cho Cheon-gye designed the front part in a fan shape and then put an S wave on the hair of the back part to make it flow down to the shoulder. Ssanghwan-gye designed the front part in the shape of two horns and expressed the back part in the shape of a butterfly. The queen's head designed the front part to have an S-shaped diagonal line and then expressed the back part in a turtleneck shape. Ssangsu-gye divided the hair into two equal parts and tied each behind the ears to design the hair in a circular shape, and expressed the remaining tip hair in a fountain shape. Therefore, it is expected that these results can be used as good data for the development of creative upstyle design.

Journal of Health and BeautyVol. 18(3_1)
Openalex Percentile: Top 63%
Consumer Perception and Purchasing Behavior
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