THE STYLE MODEL OF RUSSIAN MUSICAL CLASSICS OF THE FIRST HALF OF THE 19TH CENTURY IN THE WORK OF FAR EASTERN COMPOSERS OF THE 20TH AND EARLY 21ST CENTURIES

The purpose of the study is to determine the role of the Russian classical style as one of the stylistic foundations in the development of professional music in the Russian Far East. The tasks include defining the concept of a style model, characterising its properties as a specific historical phenomenon of the first half of the 19th century, socio-musical factors that contributed to the productive development of the classical style model in the Far Eastern creativity of the 20th-21st centuries, refraction of its typical features in the most representative works and genre areas, comparative analysis of the production of this model at different stages of the development of Far Eastern creativity. Based on the historical-genetic, comparative- typological methods, the author of the paper indicates a special role of classical sources in the cantata-oratorio genres, song, symphonic suite and miniature, and the great symphony genre of Far Eastern composers. A conclusion is drawn about the fundamental importance of the classical style in the development of professional music in the region.