MUSICAL AND SPEECH INTONATION IN CHAMBER VOCAL WORKS BY A. B. GOLDENWEISER BASED ON THE EXAMPLE OF THE ROMANCE “FANTASY”, OP. 5

The article examines the peculiarity of A. B. Goldenweiser’s compositional thinking in chamber vocal creativity. Using the example of the vocal composition “Fantasy” from Six Romances, Op. 5, the author of the article analyses a complex of musical expressiveness means that conveys the effect of speech intonation characteristic of the style of Goldenweiser. The variety of the main musical components of this romance reveals the main signs of musical and speech intonation in the aspect of form, melody, harmony, rhythm, and the embodiment of poetic stanzas.