URBAN THEMES IN ZHOU LONG’S ORATORIO

The creative heritage of the outstanding modern Chinese-American composer Zhou Long harmoniously combines specific techniques of folk music and modern compositional techniques. One of his major works is the oratorio “Men of Iron and the Golden Spike”, which is based on a true tragic story about the death of Chinese workers during an avalanche on the Sierra Nevada pass during the construction of the railway in the 1860s. The author of the article introduces this work into Russian-language scientific usage, considering it as a vivid example of a modern oratorio on urban themes. It is noted that the interpretation of the labour theme has a prehistory in the Soviet-Chinese interpretation of the genre. The musical solution of urban imagery is based on the synthesis of elements of Western avant-gardism of the 1920s and elements of national colour, embodied primarily by orchestral means.

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Publication Details

Journal
Университетский научный журнал
Published
2024-12-29
DOI
https://doi.org/10.25807/22225064_2024_83_107
Primary Topic
Chinese history and philosophy
Type
article
Field-Weighted Citation Impact
0.00
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article

URBAN THEMES IN ZHOU LONG’S ORATORIO

WENJUN BI
Университетский научный журнал
Chinese history and philosophy
article

URBAN THEMES IN ZHOU LONG’S ORATORIO

WENJUN BI
article en

Abstract

The creative heritage of the outstanding modern Chinese-American composer Zhou Long harmoniously combines specific techniques of folk music and modern compositional techniques. One of his major works is the oratorio “Men of Iron and the Golden Spike”, which is based on a true tragic story about the death of Chinese workers during an avalanche on the Sierra Nevada pass during the construction of the railway in the 1860s. The author of the article introduces this work into Russian-language scientific usage, considering it as a vivid example of a modern oratorio on urban themes. It is noted that the interpretation of the labour theme has a prehistory in the Soviet-Chinese interpretation of the genre. The musical solution of urban imagery is based on the synthesis of elements of Western avant-gardism of the 1920s and elements of national colour, embodied primarily by orchestral means.

Университетский научный журнал(83)
Openalex Percentile: Top 58%
Chinese history and philosophy
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