<i>Historias del arte en Colombia. Identidades, materialidades, migraciones y geografías</i>

The review of the book "Histories of Art in Colombia. Identities, Materialities, Migrations, and Geographies," edited by Olga Acosta, Natalia Lozada, and Juanita Solano, describes the proposal of this editorial project. The book's main focus is on horizontality and de-hierarchization in the artistic narrative, moving away from art history centered on specific artists and periods to include a variety of objects and themes, such as ceramics and tableware, that have traditionally been marginalized. The work emphasizes the importance of materiality, not only in the design of the book but also in the analysis of artworks, exploring their physical structure and the materials used. Additionally, the book incorporates feminist perspectives, questioning the entrenched gender structures in the interpretation of art and suggesting further research on the interaction between the local and the global, as well as the impact of digitalization on the materiality of Colombian art.

Authors

Publication Details

Journal
Revista de Estudios Colombianos
Published
2025-01-16
DOI
https://doi.org/10.53556/kd2bzn18
Primary Topic
Architecture, Art, Education
Type
article
Field-Weighted Citation Impact
0.00
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article

Historias del arte en Colombia. Identidades, materialidades, migraciones y geografías

Elkin Rubiano Pinilla
Revista de Estudios Colombianos
Architecture, Art, Education
article

Historias del arte en Colombia. Identidades, materialidades, migraciones y geografías

Elkin Rubiano Pinilla
article en

Abstract

The review of the book "Histories of Art in Colombia. Identities, Materialities, Migrations, and Geographies," edited by Olga Acosta, Natalia Lozada, and Juanita Solano, describes the proposal of this editorial project. The book's main focus is on horizontality and de-hierarchization in the artistic narrative, moving away from art history centered on specific artists and periods to include a variety of objects and themes, such as ceramics and tableware, that have traditionally been marginalized. The work emphasizes the importance of materiality, not only in the design of the book but also in the analysis of artworks, exploring their physical structure and the materials used. Additionally, the book incorporates feminist perspectives, questioning the entrenched gender structures in the interpretation of art and suggesting further research on the interaction between the local and the global, as well as the impact of digitalization on the materiality of Colombian art.

Revista de Estudios ColombianosVol. 64
Openalex Percentile: Top 99%
Architecture, Art, Education
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