O ser-mulher na narrativa seriada mexicana Juana Inés: entre a lógica do empoderamento individual e a construção de identificações latinas

Based on the precept of the dialogical constitution of discourse, we turn to the television miniseries Juana Inés, which portrays the life of the 17th-century Mexican nun and writer to understand which meanings of feminism the production articulates or, better yet, examine the dialogues the miniseries established regarding meanings of feminism. Throughout the seven chapters that make up the miniseries, being a woman plays a central role in the construction of the narrative and the representation of its protagonist. In this context, we note the crossing of an affirmative perspective and the incorporation of the logic of individual empowerment in what is known as “media feminisms” without, however, emptying a political potential and another for Latin identification.

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Publication Details

Journal
Rumores
Published
2024-12-20
DOI
https://doi.org/10.11606/issn.1982-677x.rum.2024.226038
Primary Topic
Cultural, Media, and Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

O ser-mulher na narrativa seriada mexicana Juana Inés: entre a lógica do empoderamento individual e a construção de identificações latinas

Nara Lya Cabral Scabin, Fernanda Elouise Budag
Rumores
Cultural, Media, and Literary Studies
article

O ser-mulher na narrativa seriada mexicana Juana Inés: entre a lógica do empoderamento individual e a construção de identificações latinas

Nara Lya Cabral Scabin, Fernanda Elouise Budag
article en

Abstract

Based on the precept of the dialogical constitution of discourse, we turn to the television miniseries Juana Inés, which portrays the life of the 17th-century Mexican nun and writer to understand which meanings of feminism the production articulates or, better yet, examine the dialogues the miniseries established regarding meanings of feminism. Throughout the seven chapters that make up the miniseries, being a woman plays a central role in the construction of the narrative and the representation of its protagonist. In this context, we note the crossing of an affirmative perspective and the incorporation of the logic of individual empowerment in what is known as “media feminisms” without, however, emptying a political potential and another for Latin identification.

RumoresVol. 18(36)
Pontifícia Universidade Católica de Minas Gerais (BR), Fundação Escola de Comércio Álvares Penteado (BR)
Gender equality
Openalex Percentile: Top 57%
Cultural, Media, and Literary Studies
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