A rig for measuring violin sound radiation

A now-standard way of measuring violin sound radiation is to tap the bridge with a miniature impact hammer while a microphone samples the resulting sound field. At least three factors complicate the process: (1) the strings exert three-dimensional forces at the bridge; (2) radiation becomes increasingly directional above 1 kHz; and (3) unless measurements are done under anechoic conditions, the acoustics of the measurement space must be considered. This video describes a rig that uses a solenoid-driven hammer, two driving directions (one horizontal at the bass corner of the bridge; the other vertical at the top-center), and twelve equatorial microphone positions 20 cm from the central axis of the violin. The resulting 24 FRFs can be used to estimate total sound output per-unit-force at the bridge. Alternatively, impulse responses from individual measurements can be convolved with recordings made on an electric violin to create realistic emulations of a normally played violin for use in psycho-acoustic testing.

Authors

Institutions

Publication Details

Journal
The Journal of the Acoustical Society of America
Published
2024-10-01
DOI
https://doi.org/10.1121/10.0035216
Primary Topic
Music Technology and Sound Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

A rig for measuring violin sound radiation

Chris Rogers, Joseph Curtin, Luca Jost
The Journal of the Acoustical Society of America
Music Technology and Sound Studies
article

A rig for measuring violin sound radiation

Chris Rogers, Joseph Curtin, Luca Jost
article en

Abstract

A now-standard way of measuring violin sound radiation is to tap the bridge with a miniature impact hammer while a microphone samples the resulting sound field. At least three factors complicate the process: (1) the strings exert three-dimensional forces at the bridge; (2) radiation becomes increasingly directional above 1 kHz; and (3) unless measurements are done under anechoic conditions, the acoustics of the measurement space must be considered. This video describes a rig that uses a solenoid-driven hammer, two driving directions (one horizontal at the bass corner of the bridge; the other vertical at the top-center), and twelve equatorial microphone positions 20 cm from the central axis of the violin. The resulting 24 FRFs can be used to estimate total sound output per-unit-force at the bridge. Alternatively, impulse responses from individual measurements can be convolved with recordings made on an electric violin to create realistic emulations of a normally played violin for use in psycho-acoustic testing.

The Journal of the Acoustical Society of AmericaVol. 156(4_Supplement)
Tufts University (US)
Openalex Percentile: Top 75%
Music Technology and Sound Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.