SHE IS NOT PURE ANYMORE: THE PURITY CONCEPT IN Ö. ZÜLFÜ LİVANELİ’S BLISS

This article focuses on the concept of female purity in the context of honour killings by exploring Turkish writer Ö. Zülfü Livaneli’s third novel Mutluluk (2002) / Bliss (2007) and by addressing the ways in which the discourses of purity and impurity are constructed in the narration. The classification systems which label the main character, Meryem, as both dirty and pure are examined by focusing on Meryem’s childish and feminine purity as well as her perceived impurity. Also, the ways in which Meryem’s supposed sexual impurity stains the family's honour and ultimately leads to an honour killing attempt are investigated. Through an analysis of different constructions of purity in Bliss, it is argued that Meryem’s purity or impurity is a matter of perception and that varying discourses of purity determine whether she is pure or not. This reading of Bliss helps us to make sense of different constructions of social norms and expectations according to certain discourses of purity. This article argues that Bliss provides depth and nuance to our understanding of how the notion of purity operates in the context of honor killings, while also demonstrating how literature can be a valuable tool to enhance our understanding of social phenomena.

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Publication Details

Journal
TOBIDER - International Journal of Social Sciences
Published
2024-10-24
DOI
https://doi.org/10.30830/tobider.sayi.19.4
Primary Topic
Turkish Literature and Culture
Type
article
Field-Weighted Citation Impact
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article

SHE IS NOT PURE ANYMORE: THE PURITY CONCEPT IN Ö. ZÜLFÜ LİVANELİ’S BLISS

Berivan Saltık
TOBIDER - International Journal of Social Sciences
Turkish Literature and Culture
article

SHE IS NOT PURE ANYMORE: THE PURITY CONCEPT IN Ö. ZÜLFÜ LİVANELİ’S BLISS

Berivan Saltık
article en

Abstract

This article focuses on the concept of female purity in the context of honour killings by exploring Turkish writer Ö. Zülfü Livaneli’s third novel Mutluluk (2002) / Bliss (2007) and by addressing the ways in which the discourses of purity and impurity are constructed in the narration. The classification systems which label the main character, Meryem, as both dirty and pure are examined by focusing on Meryem’s childish and feminine purity as well as her perceived impurity. Also, the ways in which Meryem’s supposed sexual impurity stains the family's honour and ultimately leads to an honour killing attempt are investigated. Through an analysis of different constructions of purity in Bliss, it is argued that Meryem’s purity or impurity is a matter of perception and that varying discourses of purity determine whether she is pure or not. This reading of Bliss helps us to make sense of different constructions of social norms and expectations according to certain discourses of purity. This article argues that Bliss provides depth and nuance to our understanding of how the notion of purity operates in the context of honor killings, while also demonstrating how literature can be a valuable tool to enhance our understanding of social phenomena.

TOBIDER - International Journal of Social SciencesVol. 8(3)
Adıyaman University (TR)
Openalex Percentile: Top 60%
Turkish Literature and Culture
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