The Triangulation of Desire: A Psychoanalytic Three-Part Structure of Desire and Power in Film

This article explores the application of the 'triangulation of desire' methodology in film studies. The methodology integrates textual analysis with a Lacanian psychoanalytic perspective to examine how desire is depicted through mise-en-scène between romantically involved characters in film. This paper highlights how this approach enables a nuanced analysis of power dynamics, addresses challenges encountered in its implementation, and considers the broader implications for its use in film studies. This methodology not only deepens our understanding of romantic dynamics but also provides a framework for analyzing other mediums where power and desire intersect. It suggests a new lens for evaluating whether media portray non-objectifying and complex representations of relationships. In doing so, it paves the way for more inclusive and critical approaches to cinematic narratives that challenge traditional representations and offer richer modes of seeing.