Clock, Fall: A Performative Lecture on Choreorobotics

“Clock, Fall” was written as a performative keynote and presented at the Mahindra Humanities Center at Harvard University. The talk is about choreorobotics, a portmanteau of choreography and robotics, and a field which Skybetter has pioneered at the interdisciplinary intersection of choreographic theory and robotic motion planning. Choreorobotics offers a rich, critical aperture to consider how bodies in motion—human or otherwise—move through space and time to generate meaning. In “Clock, Fall”, Skybetter dives into the origin of choreorobotics, recent advancements in the field, and how emerging technologies can be informed or disrupted by collective action and coalition building, drawing from his work as the founder of the Conference for Research on Choreographic Interfaces and podcast, “Dances with Robots”. Topics covered ranges from Boston Dynamics robots, Tesla’s “Party Mode” and Optimus robots, parasitic aesthetic theory, the movie M3GAN, Artificial Intelligence, and a little bit of Beyoncé.

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Publication Details

Journal
Documenta
Published
2025-01-10
DOI
https://doi.org/10.21825/documenta.93279
Primary Topic
Music Technology and Sound Studies
Type
article
Field-Weighted Citation Impact
0.00

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article

Clock, Fall: A Performative Lecture on Choreorobotics

Sydney Skybetter
Documenta
Music Technology and Sound Studies
article

Clock, Fall: A Performative Lecture on Choreorobotics

Sydney Skybetter
article en

Abstract

“Clock, Fall” was written as a performative keynote and presented at the Mahindra Humanities Center at Harvard University. The talk is about choreorobotics, a portmanteau of choreography and robotics, and a field which Skybetter has pioneered at the interdisciplinary intersection of choreographic theory and robotic motion planning. Choreorobotics offers a rich, critical aperture to consider how bodies in motion—human or otherwise—move through space and time to generate meaning. In “Clock, Fall”, Skybetter dives into the origin of choreorobotics, recent advancements in the field, and how emerging technologies can be informed or disrupted by collective action and coalition building, drawing from his work as the founder of the Conference for Research on Choreographic Interfaces and podcast, “Dances with Robots”. Topics covered ranges from Boston Dynamics robots, Tesla’s “Party Mode” and Optimus robots, parasitic aesthetic theory, the movie M3GAN, Artificial Intelligence, and a little bit of Beyoncé.

DocumentaVol. 42(1)
John Brown University (US)
National Aeronautics and Space Administration
Openalex Percentile: Top 100%
Music Technology and Sound Studies
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