On Beauty and Wellformedness

Abstract Taking my cue from the longest-standing theory of beauty to date, which identified beauty with formal properties such as order, harmony, and proportion, I argue that wellformedness—understood under a tripartite account comprising abstract, categorial, and functional species—is a necessary condition for beauty, which itself comprises three corresponding species. To this end, I offer a new conception of wellformedness along with a clear taxonomy of both beauty and wellformedness. My account reverses the common tendency to treat species of beauty that are independent of considerations of objects’ functions or kinds as paradigmatic and others as derivative, construing instead all three species as interrelated. In doing so, my proposal sheds considerable light on the concept of beauty, provides a measure of objectivity in our understanding thereof, clarifies the conceptual terrain in the philosophy of beauty, and elucidates some central links between beauty, form, and our interests and values.

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Publication Details

Journal
The British Journal of Aesthetics
Published
2025-01-10
DOI
https://doi.org/10.1093/aesthj/ayae047
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.00

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article

On Beauty and Wellformedness

Panos Paris
The British Journal of Aesthetics
Aesthetic Perception and Analysis
article

On Beauty and Wellformedness

Panos Paris
article en

Abstract

Abstract Taking my cue from the longest-standing theory of beauty to date, which identified beauty with formal properties such as order, harmony, and proportion, I argue that wellformedness—understood under a tripartite account comprising abstract, categorial, and functional species—is a necessary condition for beauty, which itself comprises three corresponding species. To this end, I offer a new conception of wellformedness along with a clear taxonomy of both beauty and wellformedness. My account reverses the common tendency to treat species of beauty that are independent of considerations of objects’ functions or kinds as paradigmatic and others as derivative, construing instead all three species as interrelated. In doing so, my proposal sheds considerable light on the concept of beauty, provides a measure of objectivity in our understanding thereof, clarifies the conceptual terrain in the philosophy of beauty, and elucidates some central links between beauty, form, and our interests and values.

The British Journal of AestheticsVol. 65(2)
Cardiff University (GB)
Cardiff University
Life in Land
Openalex Percentile: Top 99%
Aesthetic Perception and Analysis
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