Time's Sublimest Target: Practices of Forgetting in HCI and CSCW

In our contemporary moment, there exists a hegemonic design practice and a general social desire to retain information. With the help of sociotechnical platforms and other contemporary technologies, information has changed its temporal and spatial boundaries, creating unbounded, algorithmic, and emergent forms of retention. The consequences of such retention are numerous, ranging from an overabundance of autobiographical information that cannot be fully understood by the individual to the improper use and economization of such information by state and corporation alike. Within this context, this paper investigates a counter-hegemonic practice of forgetting, specifically from the perspective of human-computer interaction and computer-supported cooperative work research, with additional insight drawn from adjacent fields. In doing so, we present forgetting as a significant area of research with HCI and CSCW, a burgeoning and contradictory space that may offer solutions to issues we face within a moment of persistence by default. This paper also explores potential directions for future research and design on forgetting in HCI and CSCW through an investigation of an art piece by Chinese artist Song Dong.