<i>Kunqu</i> in Europe

This overview presents kunqu ’s historical journey, suggesting its future trends on European stages. Over the decades, kunqu has grown from traditional performances to avant-garde adaptations, including notable versions of The Peony Pavilion by Peter Sellars and also Chen Shizheng, which fostered intercultural dialogue. Key performances by troupes and artists have modernized kunqu , as exemplified by Bai Xianyong’s youth edition of The Peony Pavilion , and its appeal to younger audiences. Pre- and post-performance lectures have enhanced European understanding of kunqu , contributing to its recognition internationally. The dynamic interplay between tradition and innovation, and local and global perception, reveals kunqu ’s enduring relevance and its active role in cultural exchange.