Just a story: Framing trauma within screenwriting practice

This article examines the evolution of a screenplay and short film that developed as a creative response to a traumatic encounter with a child, and how the initial trauma resonated through the entire development process. This autoethnographic account will frame the initial encounter, the creative translation of that encounter into a screenplay and the subsequent life and ramifications of that screenplay and the relationships surrounding it. Moving beyond the encounter that spawned the screenplay, I intend to explore a directly related event that produced a similar response in me. The recognition and admission of this repeated response provided an insight in terms of my own awareness and responses to conflict and provides the foundations for my argument. That is, to consider and evaluate ideas surrounding the perceived or romanticized therapeutic value of creative practice. What I argue is that communication of an event is all that can be offered at the point of creativity. The deeper work of unpacking and processing events and responses is not in my experience inherent to the creative practice process.

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Publication Details

Journal
Journal of Screenwriting
Published
2024-11-01
DOI
https://doi.org/10.1386/josc_00160_1
Primary Topic
Artistic and Creative Research
Type
article
Field-Weighted Citation Impact
0.00
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article

Just a story: Framing trauma within screenwriting practice

Phil Mathews
Journal of Screenwriting
Artistic and Creative Research
article

Just a story: Framing trauma within screenwriting practice

Phil Mathews
article en

Abstract

This article examines the evolution of a screenplay and short film that developed as a creative response to a traumatic encounter with a child, and how the initial trauma resonated through the entire development process. This autoethnographic account will frame the initial encounter, the creative translation of that encounter into a screenplay and the subsequent life and ramifications of that screenplay and the relationships surrounding it. Moving beyond the encounter that spawned the screenplay, I intend to explore a directly related event that produced a similar response in me. The recognition and admission of this repeated response provided an insight in terms of my own awareness and responses to conflict and provides the foundations for my argument. That is, to consider and evaluate ideas surrounding the perceived or romanticized therapeutic value of creative practice. What I argue is that communication of an event is all that can be offered at the point of creativity. The deeper work of unpacking and processing events and responses is not in my experience inherent to the creative practice process.

Journal of ScreenwritingVol. 15(3)
Bournemouth University (GB)
Openalex Percentile: Top 61%
Artistic and Creative Research
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