What is the role of creative industries in the Anthropocene? An argument for planetary cultural policy

• International policy discourses on culture and sustainability are anthropocentric, economic growth-oriented and methodologically nationalist, and international cultural policy organisations and documents, such as United Nations resolution on the International Year of Creative Economy for Sustainable Development 2021, have been impotent in intertwining culture with ecological sustainability. • Economy for Sustainable Development 2021 is analyzed as an examplar of this anthropocentric and economist discourse. • The ideological underpinnings of cultural policy are the primary reason why culture has not been seriously recognized in international sustainability policies. A profound shift away from anthropocentric worldviews, growth-oriented ideologies, and methodologically nationalist frameworks is needed. • This ‘new’ understanding of culture in international cultural policies have to cover nature and ecology and see humans and their culture as part of larger ecosystemic framework. Incorporating such a view in public policy requires a new kind of "planetary cultural policy". Many artistic expressions call for cultural, social and political change. Though the policy environments in which they emerge remain predominantly wedded to a consumption-driven creative economy. In doing so, they tacitly endorse a methodologically nationalist perspective on artistic expression, trade in creative goods and services, and cultural identity. By using the United Nations resolution on the International Year of Creative Economy for Sustainable Development 2021 as a case in point, we argue that the language of this document, which reflects the current hegemonic discourse of creative economy, misses its target when claiming to promote sustainability because it is (1) anthropocentric, (2) growth-focused and (3) methodologically nationalist. Through a discourse analysis of this particular UN resolution, we demonstrate the multiple and conflicting connections between culture and sustainability through the perspective of planetary well-being. The main target of our criticism is the anthropocentric nature of sustainability discourses, but also their unreserved promotion of perpetual economic growth. In response, we articulate the need for a profound cultural shift from anthropocentric worldviews, growth-oriented ideologies, and methodologically nationalist frameworks to enable environmentally engaged cultural policies and citizens.

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Publication Details

Journal
Poetics
Published
2025-01-10
DOI
https://doi.org/10.1016/j.poetic.2025.101971
Citations
5
Primary Topic
Cultural Industries and Urban Development
Type
article
Field-Weighted Citation Impact
30.88
Controls
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article

What is the role of creative industries in the Anthropocene? An argument for planetary cultural policy

Christiaan De Beukelaer, Miikka Pyykkönen
5 citations
Poetics
Cultural Industries and Urban Development
30.88
article

What is the role of creative industries in the Anthropocene? An argument for planetary cultural policy

Christiaan De Beukelaer, Miikka Pyykkönen
article en
5 citations

Abstract

• International policy discourses on culture and sustainability are anthropocentric, economic growth-oriented and methodologically nationalist, and international cultural policy organisations and documents, such as United Nations resolution on the International Year of Creative Economy for Sustainable Development 2021, have been impotent in intertwining culture with ecological sustainability. • Economy for Sustainable Development 2021 is analyzed as an examplar of this anthropocentric and economist discourse. • The ideological underpinnings of cultural policy are the primary reason why culture has not been seriously recognized in international sustainability policies. A profound shift away from anthropocentric worldviews, growth-oriented ideologies, and methodologically nationalist frameworks is needed. • This ‘new’ understanding of culture in international cultural policies have to cover nature and ecology and see humans and their culture as part of larger ecosystemic framework. Incorporating such a view in public policy requires a new kind of "planetary cultural policy". Many artistic expressions call for cultural, social and political change. Though the policy environments in which they emerge remain predominantly wedded to a consumption-driven creative economy. In doing so, they tacitly endorse a methodologically nationalist perspective on artistic expression, trade in creative goods and services, and cultural identity. By using the United Nations resolution on the International Year of Creative Economy for Sustainable Development 2021 as a case in point, we argue that the language of this document, which reflects the current hegemonic discourse of creative economy, misses its target when claiming to promote sustainability because it is (1) anthropocentric, (2) growth-focused and (3) methodologically nationalist. Through a discourse analysis of this particular UN resolution, we demonstrate the multiple and conflicting connections between culture and sustainability through the perspective of planetary well-being. The main target of our criticism is the anthropocentric nature of sustainability discourses, but also their unreserved promotion of perpetual economic growth. In response, we articulate the need for a profound cultural shift from anthropocentric worldviews, growth-oriented ideologies, and methodologically nationalist frameworks to enable environmentally engaged cultural policies and citizens.

PoeticsVol. 109
The University of Melbourne (AU), Swedish Collegium for Advanced Study (SE), University of Jyväskylä (FI)
Decent work and economic growth
Openalex Percentile: Top 1%
Cultural Industries and Urban Development
30.88
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