CREATIVITY AND MADNESS IN THE ARTISTIC PRODUCTION OF VINCENT VAN GOGH: BRIEF PSYCHOLOGICAL REFLECTIONS

The aim of this study is to show how painting, in Vincent Van Gogh (1853-1890), is an active expression of the Dutch painter�s madness, inner anxieties and social unease through the vigour of the sign and the brutal incandescence of colour. The pictorial material is a direct manifestation of the inner datum and becomes a means of exorcising the �evil of living� that consumed the artist. Within this work, we will consider how in the works of Van Gogh, forerunner of the expressionist language, creativity and madness coexist simultaneously. In his aesthetic operations, in fact, those unconscious processes emerge that are expressed through creative action. This study aims to demonstrate how, however, the state of madness manifested by the painter can lead, through logical processes, to the birth and production of creative objects. At the same time, however, the madness, linked to psychopathology, will result in a self-aggressive energy, negatively influencing his psyche, leading him into a depressive condition and subsequently to death. The present work, therefore, consists of a careful psychological analysis of the Dutch painter�s creative and at the same time destructive thinking, which led him to create works that would gradually reflect his state of mind and accompany him towards his end through increasingly textured and swirling brushstrokes.

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Publication Details

Journal
SWS International Scientific Conference on Arts and Humanities
Published
2024-12-25
DOI
https://doi.org/10.35603/sws.iscah.2024/s07.17
Primary Topic
Neurology and Historical Studies
Type
article
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article

CREATIVITY AND MADNESS IN THE ARTISTIC PRODUCTION OF VINCENT VAN GOGH: BRIEF PSYCHOLOGICAL REFLECTIONS

Rosella Tomassoni, Valentina Coccarelli, Coccarelli Spilabotte
SWS International Scientific Conference on Arts and Humanities
Neurology and Historical Studies
article

CREATIVITY AND MADNESS IN THE ARTISTIC PRODUCTION OF VINCENT VAN GOGH: BRIEF PSYCHOLOGICAL REFLECTIONS

Rosella Tomassoni, Valentina Coccarelli, Coccarelli Spilabotte
article en

Abstract

The aim of this study is to show how painting, in Vincent Van Gogh (1853-1890), is an active expression of the Dutch painter�s madness, inner anxieties and social unease through the vigour of the sign and the brutal incandescence of colour. The pictorial material is a direct manifestation of the inner datum and becomes a means of exorcising the �evil of living� that consumed the artist. Within this work, we will consider how in the works of Van Gogh, forerunner of the expressionist language, creativity and madness coexist simultaneously. In his aesthetic operations, in fact, those unconscious processes emerge that are expressed through creative action. This study aims to demonstrate how, however, the state of madness manifested by the painter can lead, through logical processes, to the birth and production of creative objects. At the same time, however, the madness, linked to psychopathology, will result in a self-aggressive energy, negatively influencing his psyche, leading him into a depressive condition and subsequently to death. The present work, therefore, consists of a careful psychological analysis of the Dutch painter�s creative and at the same time destructive thinking, which led him to create works that would gradually reflect his state of mind and accompany him towards his end through increasingly textured and swirling brushstrokes.

SWS International Scientific Conference on Arts and HumanitiesVol. 11
Università degli studi di Cassino e del Lazio Meridionale (IT)
Peace, Justice and strong institutions
Openalex Percentile: Top 95%
Neurology and Historical Studies
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