Improvising with Machines: A taxonomy of musical interactions

This article maps out some of the relationships between performers and their instruments in live and improvised electronic music. In these practices, musical machines – be they computers, mechanical assemblages or combinations of different sound-makers and processors – act as generators of musical material and sources of unpredictability with which to improvise. As a lens through which to consider these practices, we examine a number of different roles these musical machines may take on during improvised performances. These include running, playing, surprising, evolving, malfunctioning, collaborating and learning. We explore the values of these different roles to the improvising musician, and contextualise them within some broad and historical trends of contemporary music. Finally, we consider how this taxonomy may make us more open to the vital materialism of musical instruments, and offer novel insights into the flows of agency and interaction possibilities in technologically mediated musical practices.

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Publication Details

Journal
Organised Sound
Published
2024-12-01
DOI
https://doi.org/10.1017/s1355771824000268
Primary Topic
Music Technology and Sound Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Improvising with Machines: A taxonomy of musical interactions

Adam Parkinson, Graham Dunning
Organised Sound
Music Technology and Sound Studies
article

Improvising with Machines: A taxonomy of musical interactions

Adam Parkinson, Graham Dunning
article en

Abstract

This article maps out some of the relationships between performers and their instruments in live and improvised electronic music. In these practices, musical machines – be they computers, mechanical assemblages or combinations of different sound-makers and processors – act as generators of musical material and sources of unpredictability with which to improvise. As a lens through which to consider these practices, we examine a number of different roles these musical machines may take on during improvised performances. These include running, playing, surprising, evolving, malfunctioning, collaborating and learning. We explore the values of these different roles to the improvising musician, and contextualise them within some broad and historical trends of contemporary music. Finally, we consider how this taxonomy may make us more open to the vital materialism of musical instruments, and offer novel insights into the flows of agency and interaction possibilities in technologically mediated musical practices.

Organised SoundVol. 29(3)
London South Bank University (GB)
Openalex Percentile: Top 75%
Music Technology and Sound Studies
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Improvising with Machines: A taxonomy of musical interactions — Adam Parkinson, Graham Dunning · Organised Sound (2024) | TGRS Research Map | TGRS