A collection of Joseon poems published in the Qing Dynasty in the 19th century

This thesis examines the collection of Joseon poems published in the 19th century. In the late 18th century, exchanges of Joseon-the Qing Dynasty culture and literature through Joseon missions to Imperial China became active. Thus, the understanding and influence of culture, history, and literature in Joseon and the Qing were enhanced. Literary men from both countries often wrote preface or epilogue on the other's works, and Joseon writers often received writing, criticism, calligraphy, and portraits from top scholars and writers of the Qing Dynasty. In Joseon, works were published with the intention of presenting them to Qing writers. For example, in the 19th century, the Hong Seok Joo, Seo Yoo Gu, Nam Gong Chul published the works of themselves, brothers, father and grandfather and presented them to literary men of the Qing Dynasty. In addition, many people introduced their own poems and poems of forefathers to the literary world of the Qing Dynasty and published them in China. In the late 19th century, cases in which the works of Qing writers were published in Joseon also appeared. The exchange between Joseon and Qing greatly influenced the publishing culture of both countries (especially Joseon) and took on the form of a new publishing culture. Donating literary works of Joseon writers or presenting epigraph materials became more frequent. There were also cases of publishing and presenting works related to Geumgang Mountain, which were widely known in China. In addition, the compilation of Joseon's “collection of books”, “inventory” and “literal collection” became more active thanks to the active response of Qing writers.